B1769. Eric Walter White. Tippett and his Operas. New York, Da Capo Press, 1982 [Reprint of the 1979 Hutchinson Edition]. 142pp. Index; List of compositions; Photos. - 0-306-76111-4
“Sir Michael Kemp Tippett was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio A CHILD OF OUR TIME, the orchestral Fantasia Concertante on a Theme of Corelli, and the opera THE MIDSUMMER MARRIAGE.
Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes in style, some believing that the quality of his work suffered as a consequence. From around 1976 Tippett's late works began to reflect the works of his youth through a return to lyricism. Although he was much honoured in his lifetime, critical judgement on Tippett's legacy has been uneven, the greatest praise being generally reserved for his earlier works. His centenary in 2005 was a muted affair; apart from the few best-known works, his music has been performed infrequently in the 21st century.
Having briefly embraced communism in the 1930s, Tippett avoided identifying with any political party. A pacifist after 1940, he was imprisoned in 1943 for refusing to carry out war-related duties required by his military exemption. His initial difficulties in accepting his homosexuality led him in 1939 to Jungian psychoanalysis; the Jungian dichotomy of ‘shadow’ and ‘light’ remained a recurring factor in Tippett's music. He was a strong advocate of music education, and was active for much of his life as a radio broadcaster and writer on music.
The composer David Matthews writes of passages in Tippett's music which ‘evoke the 'sweet especial rural scene' as vividly as Elgar or Vaughan Williams ... perhaps redolent of the Suffolk landscape with its gently undulating horizons, wide skies and soft lights’."
In a joint study of Tippett and Britten published in 1982, Whittall designated the pair as ‘the two best British composers of that ... generation born between 1900 and the outbreak of the First World War, and among the best of all composers born in the first two decades of the twentieth century’. After Britten's death in 1976, Tippett became widely regarded as the doyen of British music.”