C0895. CARL SCHURICHT Cond. Vienna Phil.: Haffner Symphony #35 in D, K.385; w.Tatyana Nikolayeva: Piano Concerto #22 in E-flat, K.482 (both Mozart). (Germany) Archipel 0446, Live Performance, 26 Jan., 1956, Salzburg. - 4035122404463
“Carl Schuricht was among the most distinguished German conductors of the inter- and post-War years. He studied composition with Engelbert Humperdinck at the Hochschule für Musik in Berlin, and then with Max Reger in Leipzig. He became music director in Wiesbaden in 1911 and elected to stay there until 1944. From this base he made frequent guest conducting appearances elsewhere and appeared at many summer music festivals. He was known for his interest in French music and other modern compositions, and frequently played music of Debussy, Ravel, Schönberg, and Stravinsky.
He toured abroad often, and made his first U.S. appearance in 1927. For many years he conducted annual summer concert series in Scheveningen, Holland, a resort town next to the capital city, The Hague. In recognition of this, the Dutch government gave him the Order or Orange-Nassau in 1938.
In 1942 he was appointed conductor of the Dresden Philharmonic Orchestra. He often opposed the Nazi government's policies, and in 1944 fled to Switzerland, where he resided thereafter. As many German conductors who had favored modern music in the inter-War years did, he settled firmly to the traditional symphonic repertory in the post-War years and thereafter became strongly associated with performances in the Romantic tradition, with rhythmic freedom and a smooth, beautiful and expressive sound.
He was chosen to conduct the re-opening, after the War, of the Salzburg Festival in Austria in 1946, and continued his frequent guest conducting appearances and associations with summer festivals, including the Ravinia Festival in Chicago and the Tanglewood Festival with the Boston Symphony Orchestra in Massachusetts. He often conducted the London Philharmonic and the BBC Symphony Orchestra. He was chosen to share conducting duties with André Cluytens when the Vienna Philharmonic made its first American tour in 1956. In later years he often took the podium with that orchestra and the Berlin Philharmonic and frequently conducted the Stuttgart Radio Symphony Orchestra.”
- Joseph Stevenson, allmusic.com
“Nikolayeva, who died in 1993, studied with Goldenweiser, and graduated in 1947. Her many recordings have established her as among the true Russian pianistic giants.”
- Alan Becker, AMERICAN RECORD GUIDE, Jan./Feb., 2009
“In 1950 Nikolayeva gained prominence by winning the International Johann Sebastian Bach Competition, part of the bicentennial marking Bach's death. More importantly, she met Dmitri Shostakovich at the competition, leading to a lifelong friendship, and was chosen as a first performer of Shostakovich's 24 Preludes and Fugues. Nikolayeva made three complete recordings of the cycle.
In 1959 Nikolayeva became a teacher at the Moscow Conservatory, later becoming professor in 1965. She made over 50 recordings during her career, notably keyboard works by Bach, including his ‘Art of the Fugue’, and by Beethoven, but became widely known in the West only late in life. With the fall of Communism, she found herself in demand internationally, making several concert tours to Europe and the United States. She also sat as a jury member on many international competitions, including the Leeds International Piano Competition in 1984 and 1987. She was known to have had an immense repertoire.”
- Z. D. Akron