C1175. SERGIU CELIBIDACHE Cond. Kölner Rundfunk S.O., w.Agnes Giebel & Hans Hotter: Ein Deutsches Requiem (Brahms). (E.U.) Myto 00196. - 8014399501965
"Celibidache was the most phenomenally gifted musician. He could shape a piece any way he liked, and did….of his musicianship, his ability and his showmanship there can be no doubt. His intellect was prodigious - he spoke fifteen languages, or it may have been thirty. Who knows? He was a truly, truly great musician. He was certainly a character and conductor one can't ignore in terms of the development of conducting in the second half of the twentieth century".
- Norman Lebrecht
”The transcedentaly endowed Romanian conductor, Sergiu Celibidache, studied Philosophy and Mathematics at the University of Bucharest. In 1936 he went to Berlin and continued his studies, largely concerning himself with wave mechanics, but also with musical studies. He wrote his doctorate on Josquin des Pres. From 1939 to 1945 he studied and the Berlin College of Music under Fritz Stein, Kurt Thomas and Walter Gmeindl.
After completing his studies, Sergiu Celibidache was immediately able to work with the Berlin Philharmonic Orchestra because the orchestra's previous conductor, Wilhelm Furtwängler, was suspected of collaboration and received no permit for public performances. For three years, he conducted most concerts of the famous orchestra and proved his exceptional personality. After Wilhelm Furtwängler's return as the head of the orchestra he mainly worked as a guest conductor without committing himself to any single orchestra for a long period, because his demands were almost impossible to fulfil, and he himself was not willing to make any concessions to his musicians or audience. At first, he continued to work mainly with Berlin orchestras - the Philharmonic Orchestra and the RIAS Berlin Radio Orchestra. After the appointment of Herbert von Karajan as the principal conductor of the Berlin Philharmonic Orchestra, Celibidache did not conduct the orchestra again for another 37 years.
1948 saw the début of Sergiu Celibidache in London. Then he frequently conducted in Italy. From 1959 he was regularly invited by the Stuttgart Radio Orchestra. From 1960 to 1962 he held master courses at the Accademia Musicale Chigiana in Siena; the young conductors were extremely keen to be admitted. In 1962 he became the director of the Stockholm Radio Symphony Orchestra, which he completely rebuilt. From 1973 to 1975 he was the primary permanent guest conductor of the French Orchestre National. In 1979 he became the director of the Munich Philharmonic Orchestra, which he made one of the best orchestras in the world. In Munich he held master courses in orchestral conducting. Although his severe illness he didn't stop conducting until a few months before his death.”
“Agnes Giebel is a German soprano who studied at the Folkwang Hochschule in Essen and made her first public appearance as a singer in 1947. Her career lasted until the 1990s during which she established a wide-ranging discography. Giebel's repertoire consisted predominantly of sacred works of music such as cantatas, oratorios, passions, and masses and was considered to be one of the greatest Bach singers of her generation. As an interpreter of lieder she often performed with the pianist Sebastian Peschko. She is also known for her performance in Beethoven's Ninth Symphony under the direction of Otto Klemperer.”
“Hotter was far, far more than a Wagnerian….[he] sang Lieder at recitals and in the studio throughout his timeless career….All his interpretations evinced a care over matching text to music. Even in Wagner he gave a Lieder singer's attention to the words….In private he was a gentle giant, an engaging raconteur and an intelligent observer of the musical scene”
- Alan Blyth, GRAMOPHONE, March, 2004