C1311. RAFAEL KUBELIK Cond. Czech Phil, Wiener Phil., Danish Radio S.O., Royal Phil. & Philharmonia Orch.: Gluck, Mozart, Schubert, Brahms, Mendelssohn, Tschaikowsky, Borodin, Dvorák, Smetana, Berlioz, Janácek, Bartók & Martinu. (E.U.) 13-Warner 25646319015, in Boxed Set. - 825646319015
“A Czech by birth, Rafael Kubelik left his homeland after the Communist takeover in 1948 and lived in London for several years before settling in Switzerland. He became a Swiss citizen in 1973. He was the son of Jan Kubelik, one of the great violinists of the early 20th century.
Mr. Kubelik was a regular guest of the New York Philharmonic until heart disease and severe arthritis forced him to retire from conducting in 1985. His performances were considered highlights of the concert season by those who prized a warm, probing, grandly scaled style of music making that was quickly being eclipsed by a more streamlined, modern approach. He conducted a broad repertory, and championed many modern works during his nearly five decades on the podium. His performances of Czech works, like Smetana's patriotic MA VLAST and the Dvorák symphonies were especially authoritative, and his 1971 recording of the Smetana with the Boston Symphony Orchestra is considered by many to be the best version available.
But Mr. Kubelik avoided specialization, and near the end of his career, he devoted himself with increasing vigor to the Viennese classics. The accounts of the Mozart and Haydn symphonies that he recorded in the early 1980s, for example, defied the trend toward light-textured, chamber-scale readings. Using the full weight and coloristic resources of the modern symphony orchestra, he gave performances that have a freshness and energy that transcend interpretive fashion.
In 1971, he accepted an invitation from Goeran Gentele, the general manager of the Metropolitan Opera, to become the company's first music director. Gentele died before Mr. Kubelik's tenure began, with a performance of LES TROYENS in October 1973, and Mr. Kubelik faced criticism for spending too much time in Europe and for being a weak administrator. In February 1974, five months after his début as director, he submitted his resignation. He was succeeded by his deputy, James Levine.
After 1985, Mr. Kubelik conducted only once. Having declared when he left Prague in 1948 that he would not return until the situation changed, he went back in 1990 to conduct MA VLAST at the opening of the first Prague Spring Festival after Vaclav Havel's Velvet Revolution. Mr. Kubelik had conducted the work 45 years earlier to celebrate the liberation of Prague from Nazi occupation.”
Allan Kozinn, THE NEW YORK TIMES, 12 Aug., 1996