Alceste  (Gluck)  (Panizza;  Bampton, Maison, Warren   (2-Naxos 8.110006)
Item# OP0015
Regular price: $29.95
Sale price: $14.97
Availability: Usually ships the same business day

Product Description

Alceste  (Gluck)  (Panizza;  Bampton, Maison, Warren   (2-Naxos 8.110006)
OP0015. ALCESTE, Live Performance, 8 March, 1941, w.Panizza Cond. Met Opera Ensemble; Rose Bampton, René Maison, Leonard Warren, etc., replete with Milton Cross' commentaries. (England) 2-Naxos 8.110006/07. Transfers by Richard Caniell. Very long out-of-print, Final Copy! - 636943100622

CRITIC REVIEWS:

"Rose Bampton, an American opera singer who switched from mezzo-soprano to soprano and sang leading roles in both ranges at the Metropolitan Opera….in January, 1940, she appeared at the Met as Aïda one Saturday and as Amneris a week later…. By the time she married Wilfrid Pelletier, a conductor at the Met, in 1937 (he died in 1982)…[she] decided to return to the soprano repertory."

- Allan Kozinn, THE NEW YORK TIMES, 23 Aug., 2007



"Rose had one of the finest mezzo-soprano voices I ever heard - and I say that without any hesitation. Stately and beautiful, she was a gifted actress and was never less than total in her study of a new role....Rose's ruby-like mezzo was a phenomenon...."

- Rosa Ponselle, A SINGER'S LIFE, p.138



“[Maison’s] efforts are to be applauded, as they are most fulfilling in every musical and artistic aspect imaginable, and underline the fact that he was one of the most histrionically and vocally talented tenors of his generation….René Maison’s voice has a timbre that…can perhaps be compared to a slightly dry, yet rich and full-bodied red wine. He was a big man physically, and his repertoire and the tone emitted on his recordings do indicate size, weight and a delivery that (according to critical reviews) must have demonstrated excellent projection.”

- Alan Bilgora, THE RECORD COLLECTOR, 2011



"Leonard Warren emerged as the principal baritone of the Met’s Italian wing in the early 1940s and remained so until his untimely death on the Met’s stage, 4 March, 1960, at the peak of his career. His smooth, velvety, and beautiful voice was powerful and had an unusually large range in its high register. It was easily and evenly produced, whether he sang softly or roared like a lion….Warren acted his roles primarily by vocal coloring, expressivity, and his excellent diction….his singing was unusually consistent….Warren’s legacy should be of interest to all lovers of great singing."

- Kurt Moses, AMERICAN RECORD GUIDE, Nov./Dec., 2006



"[Warren's] remarkable voice had a dramatic intensity which did not come naturally to him. As with everything else in his life, he worked at that until he got it right. Fortunately, his incomparable voice and dramatic power are still available to us on recordings of some of his most famous roles....[He] became one of the most famous and beloved operatic baritones in the world....Warren's flawless technique, seamless flow of sound, and brilliant top voice were his vocal trademarks and these qualities became the standard by which others would be measured, including me."

- Sherrill Milnes, AMERICAN ARIA, pp.76-77