OP0076. LUCIA DI LAMMERMOOR, Live Performance, 9 Dec., 1961, w.Varviso Cond. Met Opera Ensemble; Joan Sutherland, Richard Tucker, Frank Guarrera, Nicola Moscona, etc. (Italy) 2-Myto MCD 944.110, w.full libretto. Very long out-of-print, Final Sealed Copy! - 8014399001106
“In her first [Met] broadcast, Sutherland is much what she would be for the next quarter-century: the finest vocal technician of her time….her vocalism is wondrous to the ear; to this day, it remains unchallenged in terms of security and reliability. She commands admiration.”
- Paul Jackson, SIGN-OFF FOR THE OLD MET, p.391
"In her own time, there was a tendency to take Sutherland for granted, so consistent were her high standards of technique, musicianship and, yes, acting. Her total command of the stage was always formidable. No recording can really give an impression of how big the voice was….it had an astonishing and physically thrilling impact."
- Patrick O’Connor, GRAMOPHONE, Jan., 2007
"...for some thirty years, until his sudden death in 1975, Tucker's vocal security, boundless energy, unceasing enthusiasm, and thorough professionalism ensured a level of popularity that necessitated comparisons to some of his greatest predecessors....Tucker sang thrillingly and delivered the goods, communicating his own joy in singing to all who would listen...."
- Marc Mandel, FANFARE, May/June, 1997
“With his slender but firm voice and winning stage presence, Frank Guarrera was a fixture at the Met in a number of roles: Escamillo in CARMEN (his début role in 1948), Marcello in LA BOHÈME, Valentin in FAUST. He also essayed larger, Verdian roles with honor, if not quite the vocal opulence of contemporaries like Robert Merrill, or Leonard Warren, whom he replaced as Simon Boccanegra a few days after Mr. Warren’s death onstage in 1960.
In 1948, when the 24-year-old Mr. Guarrera was participating in the Metropolitan Opera’s ‘Auditions of the Air’ (a precursor of the current National Council Auditions), which he eventually won, Toscanini heard him on the radio singing Ford’s monologue from FALSTAFF and arranged for an audition. The result was Mr. Guarrera’s engagement at La Scala in Boito’s NERONE on the 30th anniversary of Boito’s death. It was the first of several performances under Toscanini; Mr. Guarrera sang Ford on the conductor’s legendary 1950 FALSTAFF broadcasts, still available on CD.
His final role at the Met was Gianni Schicchi, which he last sang in 1976. After his retirement from the stage, he taught at the University of Washington in Seattle for 10 years."
- Anne Midgette, THE NEW YORK TIMES, 27 Nov., 2007