Romeo et Juliette  (de Almeida;   Alain Vanzo, Andree Esposito)  (2-Opera d'Oro OPD 1477)
Item# OP0237
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Product Description

Romeo et Juliette  (de Almeida;   Alain Vanzo, Andree Esposito)  (2-Opera d'Oro OPD 1477)
OP0237. ROMÉO ET JULIETTE, Live Performance, 1976, w.de Almeida Cond. Opéra de Nice Ensemble; Alain Vanzo, Andrée Esposito, Ivan Saur. 2-Opera d'Oro OPD 1477. Out-of-print, Final Sealed Copy. - 723721326654

CRITIC REVIEWS:

"...Vanzo combines all the elements of bel canto, whatever the selection. A seamless legato is joined with a technique that produces a beautiful, effortless sound....Vanzo’s voice caresses the music and demonstrates elegance…."

- Bob Rose, FANFARE, Nov./Dec., 2005



"In 1985, at age 57, [Vanzo] starred in the Paris Opéra’s historic revival of ROBERT LE DIABLE by Meyerbeer, which the company had not staged for some 90 years….Mady Mesplé, the soprano and a frequent vocal partner, told Le Monde that ‘with [Vanzo’s passing in 2002] a whole page of French lyric history has vanished’."

- Anne Midgette, THE NEW YORK TIMES, 24 Feb., 2002



“Andrée Esposito was born in Algiers, Algeria, into a family of French-Italian origin. She began her musical studies at the Music Conservatory of her native city, obtaining a first prize there. She completed her studies at the Paris Music Conservatory, where she was a pupil of Louis Noguéra and Charles Panzéra. She made her professional début at Metz, as Suzel in Camille Erlanger's LE JUIF POLONAIS.

Esposito was then quickly invited to all the major opera houses of France, including the Paris Opéra-Comique, singing the standard French light lyric reportory: Olympia in LES CONTES D'HOFFMANN, Philine in MIGNON, MIREILLE, Micaela in CARMEN, Leila in LES PÊCHEURS DE PERLES and LAKMÉ. She made her début at the Paris Opéra in 1959, as Violetta in LA TRAVIATA. Other roles there included, Rosina in IL BARBIERE DI SIVIGLIA, the title role in LUCIA DI LAMMERMOOR, Gilda in RIGOLETTO, Xenia in BORIS GODUNOV, Marguerite in FAUST, Juliette in ROMÉO ET JULIETTE, as well as Massenet's MANON and THAÏS.

She was also a very active recitalist, especially of French songs by Chausson and Duparc. She participated in the creation of many contemporary works, such as LE CHEVALIER DE NEIGE by Delerue, ANDREA DEL SARTO by Daniel-Lesur, THE MINES OF SULPHUR by Bennett, and THE DEVILS OF LOUDUN by Penderecki. She also enjoyed singing in operettas, such as DIE FLEDERMAUS, and THE MERRY WIDOW.

Esposito was married to French baritone Julien Haas, with whom she often appeared on stage, the two were also active as voice teachers at the Strasbourg Music Conservatory.”

- Z. D. Akron