OP0241. LE JONGLEUR DE NOTRE-DAME (Massenet), Broadcast, 15 Dec., 1973, w.Dervaux Cond. ORTF Ensemble; Alain Vanzo, Robert Massard, Jules Bastin, Jean Dupouy, etc.; LA NAVARRAISE (Massenet), Broadcast Performance, 29 Nov., 1963, w.Hartemann Cond. ORTF Ensemble; Geneviève Moizan, Alain Vanzo, Jacques Mars, Lucien Lovano, etc.; LE JONGLEUR DE NOTRE-DAME – Excerpts, w.Cloez Cond. Charles Friant, Roger Bourdin & Pierre Dupré; La Navarraise – Excerpt, w.César Vezzani. (Portugal) 2-Gala 100.747. Long out-of-print, (final professionally-made) copy! - 8712177046133
"...Vanzo combines all the elements of bel canto, whatever the selection. A seamless legato is joined with a technique that produces a beautiful, effortless sound....Vanzo’s voice caresses the music and demonstrates elegance…."
- Bob Rose, FANFARE, Nov./Dec., 2005
"In 1985, at age 57, [Vanzo] starred in the Paris Opéra’s historic revival of ROBERT LE DIABLE by Meyerbeer, which the company had not staged for some 90 years….Mady Mesplé, the soprano and a frequent vocal partner, told Le Monde that ‘with [Vanzo’s passing in 2002] a whole page of French lyric history has vanished’."
- Anne Midgette, THE NEW YORK TIMES, 24 Feb., 2002
“Massard made his professional début at the Paris Opéra in 1952, as the High Priest in SAMSON ET DALILA, shorthly followed by Valentin in FAUST. The same year, he also made his début at the Aix-en-Provence Festival, as Thoas in IPHIGÉNIE EN TAURIDE. His career rapidly took an international dimension with débuts in 1955, at La Scala and the Glyndebourne Festival, both as Ramiro in L'HEURE ESPAGNOLE. Oreste in IPHIGÉNIE EN TAURIDE was his début role at the Maggio Musicale Fiorentino, the Royal Opera House in London, and the Edinburgh Festival. Massard also appeared in North and South America, notably at the Lyric Opera of Chicago, at Carnegie Hall and the Teatro Colón in Buenos Aires. Henceforth considered one of the best French baritones of his generation, he was internationally acclaimed as Valentin in FAUST, Escamillo in CARMEN, Fieramosca in BENVENUTO CELLINI, and Golaud in PELLÉAS ET MÉLISANDE.”
- Ned Ludd
“Geneviève Moizan entered the Conservatoire de Paris in 1942, and upon graduation in 1946 she won first prize in the Saint Sulpice competition. She débuted at the Paris Opéra in 1949 as Marguérite in FAUST (with Noré and André Pernet), moving on to a vast repertoire. She often appeared in Monte Carlo, Geneva, Strasbourg, Brussels, Algiers, etc. It was, however, her collaboration with the ORTF which gained her the essential part of her national popularity for almost twenty-five years.
With its clear timbre, her lyric soprano was equally acclaimed in both dramatic and mezzo-soprano rôles: Werther, Sappho, Le Roi d'Ys, Mignon, Il Trovatore, etc.”
- Zillah D. Akron