Le Roi d'Ys  (Dervaux;   Geori Boue, Genevieve Moizan, Nore, Bianco, Philippe, Cambon)   (2-Malibran 604)
Item# OP1016
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Product Description

Le Roi d'Ys  (Dervaux;   Geori Boue, Genevieve Moizan, Nore, Bianco, Philippe, Cambon)   (2-Malibran 604)
OP1016. LE ROI D’YS (Lalo), w.Dervaux Cond. Radio Lyrique Ensemble; Geori Boué, Geneviève Moizan, Georges Noré, René Bianco, André Philippe, Charles Cambon, etc. (France) 2-Malibran 604. Final Copy! - 3760003776049

CRITIC REVIEWS:

“French soprano Geori Boué was born on 16 October, 1918 in Toulouse and managed an exemplary career in her native country. She studied at the Music Conservatory in Touluse, taking on voice with Claude Jean, piano and harp. She made her début in Toulouse in 1938 and rose to fame singing staples of the French repertoire that include Marguerite from FAUST, Juliette from ROMÉO ET JULIETTE and Manon from Massesent’s opera of the same name. As her career progressed she expanded into other repertoire taking on Gilda in Verdi’s RIGOLETTO, Violetta in LA TRAVIATA, Mimi in LA BOHEME, Cio Cio San in MADAMA BUTTERFLY, Tatiana in EUGEN ONÉGIN, Desdemona in OTELLO and Thaïs among other roles. In later years CARMEN, WERTHER and numerous operettas would enter her repertoire. She also appeared in a 1943 film entitled LA MALIBRAN.

She also managed an international career in Mexico, Barcelona, Rio de Janeiro and at La Scala in Milan where she appeared as Mélisande in Debussy’s PELLÉAS ET MÉLISANDE under the baton of Victor de Sabata. She appeared in that Debussy work alongside her husband Roger Bourdin. She died at age 98, 5 Jan., 2017.”

- David Salazar, operawire.com, 6 Jan., 2017





“Geneviève Moizan entered the Conservatoire de Paris in 1942, and upon graduation in 1946 she won first prize in the Saint Sulpice competition. She débuted at the Paris Opéra in 1949 as Marguérite in FAUST (with Noré and André Pernet), moving on to a vast repertoire. She often appeared in Monte Carlo, Geneva, Strasbourg, Brussels, Algiers, etc. It was, however, her collaboration with the ORTF which gained her the essential part of her national popularity for almost twenty-five years.

With its clear timbre, her lyric soprano was equally acclaimed in both dramatic and mezzo-soprano rôles: Werther, Sapho, Le Roi d'Ys, Mignon, Il Trovatore, etc.”

- Zillah D. Akron





"Georges Noré, a French tenor unjustly forgotten today, even though Sir Thomas Beecham choose him for the title role of FAUST, recorded in 1947. Although seen as the successor to Thill, in 1960 he took a somewhat premature retirement.”

- Laurent Bury, Opéraforum.com, 21 December, 2015





“To hear these native-born artists declaiming in their own tongue is pleasure enough in itself, but as they are all masters of their roles, the delight in hearing them is the greater. Noré’s refined, plaintive timbre allied to his sense of style makes his entire contribution above reproach."

- Alan Blyth, GRAMOPHONE, Sept., 2001