OP1017. FIDELIO,recorded 1953, w.Furtwängler Cond. Vienna Staatsoper Ensemble; Martha Mödl, Wolfgang Windgassen, Gottlob Frick, Otto Edelmann, Alfred Poell, Sena Jurinac, Rudolf Schock, etc. (E. U.) 2-Naxos 8.111020/21. Transfers by Mark Obert-Thorn. - 747313302024
“The most important singer of the German Heldentenor repertory in the 1950s and 1960s, Wolfgang Windgassen employed his not-quite-heroic instrument, believable physique, and considerable musical intelligence to forge memorable performances on-stage and in the recording studio. Although his voice lacked the sensuous appeal of Melchior's or Völker's, it was never unattractive and never employed to obvious effect. Indeed, it conveyed a youthfulness that suited the young Siegfried especially well."
- Erik Eriksson, allmusic.com
“The incredibly lengthy career of Martha Mödl has been well documented. In that time she sang it all: beginning as a mezzo (Hänsel, Eboli, Carmen, Azucena), then soprano (Isolde, Brünnhilde, Kundry), then in the 1960s returning to mezzo and some great character rôles (Klytemnestra, Die Amme, Waltraute). In the 1970s she adapted to secondary character rôles (Widow Begbick, Grandmother Burya, the Old Countess in QUEEN OF SPADES), some of which were rechristened ‘Mödl-Rollen’ in her honor. She was often called the ‘German Maria Callas’ with her dramatic intensity, excitement, unique, colorful mezzo-tinted soprano voice.
She was one of the singers very important to the re-establishment of the Wagner Festival in Bayreuth in the 1950s. She appeared in several world premières, creating rôles in operas by Fortner, Cerha, and von Einem. There is a little-known video of an interview with Mödl, Astrid Varnay, and Birgit Nilsson—great Wagnerians all. Varnay and Nilsson defer to Mödl!”
- Charles H. Parsons, AMERICAN RECORD GUIDE, July/Aug., 2012