Iphigenie en Tauride  (Gluck)  (Sanzogno;  Callas, Cossotto, Colzani)   (2-Myto 00139)
Item# OP1624
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Iphigenie en Tauride  (Gluck)  (Sanzogno;  Callas, Cossotto, Colzani)   (2-Myto 00139)
OP1624. IPHIGÉNIE EN TAURIDE (Gluck), (in Italian), Live Performance, 1 June, 1957, w.Sanzogno Cond. La Scala Ensemble; Maria Callas, Dino Dondi, Francesco Albanese, Anselmo Colzani, Fiorenza Cossotto, etc. (E.U.) 2–Myto 00139. - 8014399501392

CRITIC REVIEWS:

"…the urgency of [Callas’] singing makes itself felt appropriately…in the turbulent opening pages of the opera, where her voice rides the orchestra like a boat in full sail on a stormy sea."

- John Ardoin, THE CALLAS LEGACY, p.124



“While best known for the fiery, scenery-chewing Verdi roles such as Azucena, Amneris, Lady Macbeth, and Eboli, Fiorenza Cossotto was also a prominent performer of bel canto parts such as Rosina in Rossini's BARBIERE, Leonora in LA FAVORITA, and Adalgisa in NORMA. Such large and powerful mezzo voices, particularly with a secure top, are rare compared to the lyric mezzo, and from the late 1960s through the early 1980s, she was the Verdi mezzo, the successor to Simionato and the predecessor to Zajick.

Cossotto made her operatic début as Sister Matilde in the world premiere of Poulenc's THE DIALOGUES OF THE CARMELITES in 1957. Her international début was at the 1958 Wexford Festival as Giovanna Seymour in Donizetti's ANNA BOLENA. Her Covent Garden début was in 1959 as Neris in Cherubini's MEDÉE, with Callas in the title rôle. A 1961 performance of the lead in LA FAVORITA at La Scala led to wider fame and she made her Chicago début in the same rôle in 1964 and as Amneris at the Met in 1968.”

- Anne Feeney, allmusic.com



"[Colzani] may never have quite entered the pantheon of great Italian baritones, but Anselmo Colzani was never that far off. He also had to contend with an era in which the likes of Tito Gobbi, Ettore Bastianini and Giuseppe Taddei bestrode the world’s opera stages….He was in demand internationally too, making his Metropolitan Opera début in 1960, where he played Simon Boccanegra. There was a great deal of pressure on the new arrival, as the Met’s favourite baritone, Leonard Warren, had died weeks before. If Colzani never became the next Warren, he did become a Met regular. He sang 272 performances there over the next 16 seasons."

- James Inverne, GRAMOPHONE, June, 2006