Le Roi d'Ys  (Lalo)  (Cluytens;  Micheau, Gorr, Legay, Borthayre)   (2-Malibran 696)
Item# OP1790
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Product Description

Le Roi d'Ys  (Lalo)  (Cluytens;  Micheau, Gorr, Legay, Borthayre)   (2-Malibran 696)
OP1790. LE ROI D�YS (Lalo), w.Cluytens Cond.;� Janine Micheau, Rita Gorr, Henri Legay, Jean Borthayre, etc.;� JANINE MICHEAU, w.Darius Milhaud Cond.:� 19 Songs (Acc. by the Composer).� (France) 2-Malibran 696. - 3760003776964


�Janine Micheau was a French singer, one of the leading lyric sopranos of her era in France, she was born in Toulouse, and studied voice at the Paris Conservatoire. She made her professional d�but at the Op�ra-Comique on 16 November 1933, as la Plieuse in LOUISE, following this with Loys in JUIF POLONAIS by Camille Erlanger, etc. By 1935 her performances gained her invitations to Marseille (Lakm�), and then (at the instigation of Pierre Monteux) to Amsterdam (M�lisande) and San Francisco. In Buenos Aires, Erich Kleiber conducted her in Sophie in DER ROSENKAVALIER.

She created the role of Creuse in Darius Milhaud's M�d�e, for her d�but at the Paris Op�ra in 1940, where she also sang Gilda in RIGOLETTO, Violetta in LA TRAVIATA and Sophie in DER ROSENKAVALIER, among other roles.

Once the war was over, her career became more international than it had been; she performed at La Scala in Milan, La Monnaie in Brussels, Royal Opera House in London, the San Francisco Opera, and the Lyric Opera of Chicago. At these venues she sang nearly all the great French soprano roles. From 1961 she became a voice teacher at the Paris Conservatoire, and the Mozarteum in Salzburg. Her final performance was as Pamina in Rouen in May 1968. She died in Paris at the age of 62.�

�If ever a tenor could be described as underrated, it must be the French Henri Legay�.On record, Legay is unfailingly musical and stylish, as we hear [above] opposite the equally wonderful Janine Micheau. He sings the famous Rondo with nicely turned trills and an easy top D-flat and, in my opinion, trumps the more famous and macho versions by Gedda and Roswaenge.�

- Patrick Bade, THE RECORD COLLECTOR, 2011

�Henri Legay was a French operatic tenor, primarily French-based as his light lyric voice was especially suited to the French operatic repertoire. Born in Paris, he won First Prize at the Conservatoire de Paris in 1947, and began his career singing operetta. He made his operatic d�but at La Monnaie in Brussels in 1950, also appearing in Lausanne. He began a long association with the Op�ra-Comique in 1952, as G�rald in LAKM�, quickly establishing himself as one of the leading tenors of his time. He left a few recordings, LES P�CHEURS DE PERLES, LE ROI D'YS, and most notably MANON, opposite Victoria de los �ngeles and conducted by Pierre Monteux, widely regarded as the definitive recording of Massenet's opera. Along with such early twentieth century tenors as David Devri�s, Georges Thill and L�opold Simoneau, Legay represented a lost style of French operatic singing.�

- Z. D. Akron

"Jean Borthayre is proof that a French baritone can sing with great warmth, full-bodied tone, immaculate diction and fine musicality. Borthayre has it all going for him. This glorious voice is heard here in a mainly French program�.This is one of the most pleasing recital discs to come my way in a very long time � grand singing at its grandest."

- Charles H. Parsons, AMERICAN RECORD GUIDE, March/April, 2008

�Andr� Cluytens was among the leading French conductors of his time. His father, Alphonse, was conductor at the Royal French Theater of Antwerp. Andr� became his assistant and a choirmaster there. When an illness prevented Alphonse from conducting, Andr� made his performance d�but in 1927. After that experience he devoted his efforts to orchestral and opera conducting rather than choral work, and he became a resident conductor in the house.

In 1932 he accepted a position as the musical director of orchestral concerts at the Capitole de Toulouse, and he became a French citizen. In 1935 was appointed the opera director in Lyons. He was an assistant of Josef Krips in a summer series in Vichy and, once again, was called on to substitute when that conductor could not perform. He became musical director of the Lyons Opera in 1942, conductor of the Conservatoire Concerts and the French National Radio Orchestra in Paris in 1943, and in 1944 conducted at the Op�ra de Paris. From 1947 to 1953 he was music director of the Paris Op�ra-Comique, and in 1949 was appointed as principal conductor of the Conservatory Concerts. He retained that position for the rest of his life. In 1955 he was invited to conduct LOHENGRIN at the Bayreuth Festival, the first French person to appear on the podium there. He d�buted in the United States in 1956, and in Britain in 1958, when he substituted for Otto Klemperer. He formed a close relationship with the Vienna State Opera, which he first conducted in 1956, becoming a permanent guest conductor in 1959. In 1960 he became conductor of the Belgian National Orchestra in Belgium, also holding that post until his death. He also formed a close link with the Berlin Philharmonic, with which he made a notable recording of the Beethoven symphonies. However, he was primarily known for French repertoire, premiering works by Fran�aix, Jolivet, Messiaen, Milhaud, Tomasi, B�sser, and Bondeville. He was invited back to Bayreuth in 1965.�

- Joseph Stevenson, allmusic.com