OP1817. LE ROI L’A DIT (Delibes), Broadcast Performance, 1956, w.Gressier Cond. Radio-Lyrique Ensemble; Christiane Jacquin, Michel Sénéchal, Deva Dassy, Joseph Peyron, Camille Maurane, Lucien Lovano, etc.; CONCHITA SUPERVIA: Les Filles de Cadix; Eglogue; Bonjour, Suzon (all Delibes), recorded 1930. (France) Malibran 708. - 3760003777084
“Following studies at the Paris Conservatory, Sénéchal made his début in 1950 at La Monnaie in Brussels. Under contract there for three seasons, he sang the lyric tenor repertory, as he continued to do later at both the Paris Opéra and the Opéra-Comique and in other theaters through France. His sophisticated sense of makeup, stage movement, comic timing, and seizing each element of irony and rendering it unforgettable all are built upon the underpinnings of a handsome light tenor voice, well-trained and always pleasant to hear. So dominant has this supporting artist become, the catalog reveals multiple recordings of his core repertory. His roles grew to include Rossini's Almaviva and Comte Ory, Hylas in Berlioz's LES TROYENS, Paolino in Cimarosa's IL MATRIMONIO SEGRETO, Georges Brown in Boieldieu's LA DAME BLANCHE, and three of Mozart's leading tenor parts: Tamino, Ferrando, and Don Ottavio. At Aix-en-Provence in 1956, Sénéchal sang the travesty role of Rameau's PLATÉE, a curious creature of heart-stopping homeliness who believes herself to be beautiful. The role is both a leading one and a character study. His success in the role was so great, he was called upon to perform the part in Amsterdam, at the Monnaie, and later, the Opéra-Comique.
For Sénéchal's Metropolitan Opera début on 8 March, 1982, he was engaged for LES CONTES D'HOFFMANN, performing the four comic tenor roles, a turn that by then had all but become a signature assignment. Other roles following at the Metropolitan were Guillot in Massenet's MANON and Mozart's Don Basilio. Sénéchal has, in addition to established repertory stage works, undertaken contemporary operas. At Toulouse, he sang Fabien in the premiere of Marcel Landowski's MONTSÉGUR in 1985. The same year, he appeared as Pope Leo X in Boehmer's DOCKTOR FAUSTUS at the Paris Opéra.
Sénéchal's mastery of the tenor character repertory has repeatedly brought him into the recording studio. His four comic characters in Hoffmann have been preserved on disc three times, while in James Levine's recording of ANDREA CHÉNIER, Sénéchal appears together with his greatly respected Italian counterpart, Piero di Palma, and supporting principals Scotto, Domingo, and Milnes. In addition to Offenbach's HOFFMANN and a near-definitive ORPHÉE AUX ENFERS recorded under Plasson in 1978, Sénéchal appears with Dame Felicity Lott in a recording of LA BELLE HÉLÈNE released in 2000.”
- Erik Eriksson, allmusic.com