OP1883. LUCIA DI LAMMERMOOR, recorded 1959, w.Sanzogno Cond. La Scala Ensemble; Renata Scotto, Giuseppe di Stefano, Ettore Bastianini, Ivo Vinco, etc. (E.U.) 2-Myto 00207. - 8014399502078
“The young Scotto is a delight to hear….it is difficult to fault her for anything….Scotto in her 20s also had a more velvety, less harsh sound….The ‘Mad Scene’ isn’t a Sutherland-like tour de force, but it is certainly moving.”
- Michael Mark, AMERICAN RECORD GUIDE, May/June, 2010
“Known for her dramatic singing style, Renata Scotto excels in the Italian repertoire, including Bellini's NORMA and Puccini's MADAMA BUTTERFLY. She has performed in more than 45 operas all over the world.
Born in Italy in 1934, Renata Scotto made her operatic début in her hometown of Savona on Christmas Eve, 1952 in LA TRAVIATA. She made her professional opera début at the Teatro Nuovo as Violetta, a rôle she earned by winning the Milan Lyric Association competition. With a blooming musical career, she auditioned for the part of Walter in Catalani's LA WALLY, performed at La Scala in Milan. She instantly received the part and was called back for fifteen curtain calls on opening night, 7 Dec., 1953.
In 1957, the La Scala Company had been in Edinburgh performing Bellini's LA SONNAMBULA, with Maria Callas as Amina. Due to the enormous interest, La Scala decided to add more performances. When Callas refused to do another performance, Scotto was called to replace her. With the success of her performance in this rôle, she became an international star
With her operatic success came personal success as well. In 1960, Scotto performed at the Royal Opera House as Mimi in LA BOHÈME. She made her United States début with the Metropolitan Opera in 1965 as Cio-Cio-San in MADAMA BUTTERFLY. A quote from the New York Herald Tribune called the performance ‘an occasion for rejoicing, and there was plenty of it in the form of applause and welcoming shouts to the new artist who, above all, is distinctly an individual’."
- Kim Summers, allmusic.com
"Renata Scotto is a musician. She is a studious woman who is devoted to her career. I have seen her at work and her dedication to opera is complete, profound, and remarkable. She will finish singing only to return to the score and study again. She has given herself to opera, body and soul; and she never stops learning. That is why her characterizations are always so fresh."
- Plácido Domingo, SCOTTO, MORE THAN A DIVA, p.xii
“Giuseppe di Stefano possessed an especially beautiful voice. It was impossible not to be moved; he truly had the sound of tears in his voice, without being over sentimental. His wonderful piano – and his stirring voice – moved his audience almost beyond endurance.”
- Birgit Nilsson, LA NILSSON, p.116
“…there is much amazingly gorgeous, heartfelt singing [from di Stefano] and a joy in performing….It can be pure unadulterated joy for a sometimes jaded reviewer to listen to...."
- Michael Mark, AMERICAN RECORD GUIDE, Nov./Dec., 2009