Tristan  (Stiedry;  Vinay, Harshaw, Thebom, Edelmann, Cassel)   (3-Walhall 0281)
Item# OP1992
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Product Description

Tristan  (Stiedry;  Vinay, Harshaw, Thebom, Edelmann, Cassel)   (3-Walhall 0281)
OP1992. TRISTAN UND ISOLDE, Live Performance, 1 March, 1958, w.Stiedry Cond. Met Opera Ensemble; Ramón Vinay, Margaret Harshaw, Blanche Thebom, Otto Edelmann, Walter Cassel, etc. (Germany) 3-Walhall 0281. - 4035122652819

CRITIC REVIEWS:

"Chilean-born Ramón Vinay began his operatic career as a baritone (Mexico City, 1938), singing many of the major baritone roles…, but after study with tenor René Maison, he began a second career as a tenor (Mexico City, 1943), and after a long, distinguished career as a tenor, returned to the baritone repertoire in the 1960s, retiring in 1969 with a final Iago. He was most noted for tenor roles requiring great heft and power….His services were in demand everywhere."

- Charles H. Parsons, AMERICAN RECORD GUIDE, May/June, 2006



"As Isolde, Harshaw is again the committed artist. Her portrayal contains so much to admire....We might well respond with greater favor today to an artist who, like Harshaw, owns a steady, well-trained voice and whose instincts are true."

- Paul Jackson, SIGN-OFF FOR THE OLD MET, p.217



“Margaret Harshaw (made her professional début in the dramatic mezzo-soprano rôle of Azucena in IL TROVATORE with The Philadelphia Operatic Society in 1934. She entered the graduate program at The Juilliard School in 1936, where she studied with Anna E. Schoen-René, who had been a student of Pauline Viardot-García and her brother Manuel García. It was at Juilliard where Harshaw, after singing the rôle of Dido in Purcell’s DIDO AND AEANEAS, met Walter Damrosch who prophesied: ‘My child, one day you will be Brünnhilde!’. She won the Metropolitan Opera’s ‘Auditions on the Air’ in 1942, and made her Met début as the second Norn in Wagner’s GÖTTERDÄMMERUNG. Gifted with an extended range, Harshaw sang many mezzo-soprano rôles for the next nine seasons before she entered soprano territory in 1951 when she sang the rôle of Senta in THE FLYING DUTCHMAN. By 1954 she had inherited the mantel of Kirsten Flagstad and Helen Traubel, and sang all the leading Wagnerian soprano rôles, including Isolde, Brünnhilde, Elisabeth, Kundry and Sieglinde. Harshaw retired in 1964 from the Metropolitan Opera after having sung 375 performances of 38 rôles in 25 works over 22 consecutive seasons. She then became a professor of voice at Indiana University in 1962, where she taught until 1993. She also taught at the Curtis Institute of Music and Westminster Choir College. Among her many students are Benita Valente, Vinson Cole, Matthew Polenzani, etc."

- Daniel James Shigo



"In a field long dominated by Europeans, Ms. Thebom was part of the first midcentury wave of American opera singers to attain international careers. Associated with the Met from the mid-1940s to the mid-1960s, she was praised by critics for her warm voice, attentive phrasing and sensitive acting."

- Margalit Fox, THE NEW YORK TIMES, 28 March, 2010