Lakme  (Etcheverry;  Doria, Vanzo, Legros)         (Malibran 732)
Item# OP2055
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Product Description

Lakme  (Etcheverry;  Doria, Vanzo, Legros)         (Malibran 732)
OP2055. LAKMÉ - Excerpts, Broadcast Performance, w.Etcheverry Cond. Ren�e Doria, Alain Vanzo, Adrien Legros, etc. (France) Malibran 732. - 7600003777324


"...Vanzo combines all the elements of bel canto, whatever the selection. A seamless legato is joined with a technique that produces a beautiful, effortless sound....Vanzo’s voice caresses the music and demonstrates elegance."

- Bob Rose, FANFARE, Nov./Dec., 2005

“Alain Vanzo made his debut at the l’Opéra and the Opéra-Comique in 1957, going on to sing the Duke of Mantua in 1957. He became known and respected as a lyrical tenor and graduated towards a more robust tenor, culminating in his taking on Werther at age 40 and Don José at age 45! By the time he reached the age of 48, on 20 April, 1965, he sang with Montserrat Caballé (her American debut) in a concert performance in Donizetti's LUCREZIA BORGIA at Carnegie Hall. Finally, after his 1976 performances of FAUST in the US, he had become a star.

In 1985, at age 57, [Vanzo] starred in the Paris Opéra’s historic revival of Meyerbeer’s ROBERT LE DIABLE which the company had not staged for some 90 years. Mady Mesplé, the soprano and a frequent vocal partner, told Le Monde that ‘with [Vanzo’s passing in 2002] a whole page of French lyric history has vanished’."

- Anne Midgette, THE NEW YORK TIMES, 24 Feb. 2002

�Ren�e Doria�s official operatic d�but took place in 1942, in Marseille, as Rosina in IL BARBIERE DI SIVIGLIA. After singing Constance in THE ABDUCTION FROM THE SERAGLIO in Cannes under Reynaldo Hahn, and the three heroines (Olympia, Giulietta, Antonia) in LES CONTES D'HOFFMANN in Strasbourg, opposite baritone Vanni Marcoux, she made her Paris d�but at the Ga�t�-Lyrique in 1943, as Lakm�, and the following year, made her d�but at the Op�ra-Comique, in the same r�le. Her d�but at the Paris Op�ra in 1947, as the Queen of the Night in THE MAGIC FLUTE, was highly successful. Other r�les at that house included Leila in LES P�CHEURS DE PERLES, the title r�le in MIREILLE, Margu�rite in FAUST, Juliette in ROM�O ET JULIETTE, Oph�lie in HAMLET, Manon, Tha�s, as well as Fiordiligi in COS� FAN TUTTE, Gilda in RIGOLETTO, and Violetta in LA TRAVIATA, etc.

Doria also sang in baroque music such as Rameau's LES INDES GALANTES, and contemporary works, such as Ravel's L'HEURE ESPAGNOLE, and Poulenc's DIALOGUES DES CARM�LITES. In her thirty year career, Doria sang an estimated sixty r�les.�

- Zillah Akron Dorset