OP2059. LA FORZA DEL DESTINO, Live Performance, 17 March, 1956, w.Stiedry Cond. Met Opera Ensemble; Zinka Milanov, Richard Tucker, Leonard Warren, Cesare Siepi, Rosalind Elias, etc. (Croatia) 2-Myto 943.106. Very long out-of-print, Final Copy! - 608974501068
"The combination of the heavy drama to which the voice must be keyed in color, and the light, soaring singing assigned to Leonora is the barrier that stands between this opera and most singers – except for such brilliant sopranos as Zinka Milanov. It was not until I learned other operas – FORZA was my first, remember – that I realized how hard the opera was."
- Rosa Ponselle, ROSA PONSELLE, AMERICAN DIVA (Mary Jane Phillips-Matz), p.115
“For many of us the ideal FORZA Leonora was Zinka Milanov....What Milanov had, in addition to ethereal floated pianissimi, was a solid column of sound from bottom to top, emanating from the same throat and diaphragm. Her rich sonority brought a kind of grandeur to the score that it really needs.”
- Henry Fogel, FANFARE
“Zinka Milanov - this voice is really the voice of our century and not surpassed by other wonderful artists. Her recording of ‘Pace, pace’ is my heart’s inspiration.…”
- Christa Ludwig
"...for some thirty years, until his sudden death in 1975, Tucker's vocal security, boundless energy, unceasing enthusiasm, and thorough professionalism ensured a level of popularity that necessitated comparisons to some of his greatest predecessors....Tucker sang thrillingly and delivered the goods, communicating his own joy in singing to all who would listen...."
- Marc Mandel, FANFARE, May/June, 1997
"Leonard Warren emerged as the principal baritone of the Met’s Italian wing in the early 1940s and remained so until his untimely death on the Met’s stage, 4 March, 1960, at the peak of his career. His smooth, velvety, and beautiful voice was powerful and had an unusually large range in its high register. It was easily and evenly produced, whether he sang softly or roared like a lion….Warren acted his roles primarily by vocal coloring, expressivity, and his excellent diction….his singing was unusually consistent….Warren’s legacy should be of interest to all lovers of great singing."
- Kurt Moses, AMERICAN RECORD GUIDE, Nov./Dec., 2006
"[Warren's] remarkable voice had a dramatic intensity which did not come naturally to him. As with everything else in his life, he worked at that until he got it right. Fortunately, his incomparable voice and dramatic power are still available to us on recordings of some of his most famous roles....[He] became one of the most famous and beloved operatic baritones in the world....Warren's flawless technique, seamless flow of sound, and brilliant top voice were his vocal trademarks and these qualities became the standard by which others would be measured, including me."
- Sherrill Milnes, AMERICAN ARIA, pp.76-77