OP2182. FALSTAFF, Broadcast Performance, 14 March, 1959, w.Rossi Cond. RAI Ensemble, Roma; Giuseppe Taddei, Aldo Protti, Nicola Monti, Anna Maria Rovere, Rosanna Carteri, Anna Maria Canali, Oralia Dominguez, etc. (E.U.) 2-Myto 00259. - 0801439902596
"Taddei is splendid, one of Italy’s greatest baritones, with a voice rich and powerful as well as gorgeous…..What a pity Taddei never had a major career at the Met….His great Verdi singing and acting at age 69 [while at the Met] would put many baritones half his age to shame.”
- Michael Mark, AMERICAN RECORD GUIDE, Sept./Oct., 2012
“There used to be a saying in Italy: ‘We gave the rest of the world Tito Gobbi, but we kept Giuseppe Taddei for ourselves’. Whatever the respective merits of these two baritones who dominated the scene in the early postwar period, Taddei was undoubtedly a superb artist and, in fact, possessed the superior voice. It was voluminous, richly mellifluous and admirably flexible. He handled it with immense intelligence and he kept his vocal faculties intact over a career spanning 50 years. Taddei’s repertory was vast — more than 100 rôles. Having made his rôle début as Falstaff in the late 1940s, he was still singing the rôle under Karajan in Salzburg more than three decades later and at his belated Metropolitan Opera début in 1985. His warm, rounded tone and subtle underlining of notes and text made him an ideal Falstaff, a portrayal that, fortunately, has been preserved on records and video. Few Italian baritones have exhibited the exceptional versatility that was Taddei’s hallmark. Apart from the accomplishments of his singing, he was a stage being through and through, able with a gesture or facial expression to create character and mood. The longevity of his career is evidence enough of the solidity of his technique. Taddei died at his home in Rome, 2 June, 2010.”
- THE SUNDAY TIMES, 5 June, 2010
"Known as a versatile artist effective in dramatic and comic roles…[Taddei] had an ample, warm, and smooth voice and was a very fine vocal actor, delivering the many declamatory passages with excellent diction."
- Kurt Moses, AMERICAN RECORD GUIDE, July/Aug., 2005
“Rosanna Carteri was born in Verona but was raised in Padua. She studied with Cusinati and started singing in concert at the age of twelve. She won a RAI singing contest in 1948 which led to her operatic début at the Baths of Caracalla in Rome as Elsa in LOHENGRIN in 1949, aged only 19. She made her La Scala début in 1951. Other débuts were at the Salzburg Festival as Desdemona in 1952 under the direction of Wilhelm Furtwängler, San Francisco as Mimi in 1954, the Lyric Opera of Chicago as Marguerite in FAUST in 1955, the Arena di Verona as Mimi in 1958, Covent Garden as Tosca in 1960, Opéra de Paris in 1961 as Violetta.
Carteri made a few recordings for Cetra early in her career, recorded LA TRAVIATA for RCA Victor with Cesare Valletti and Leonard Warren under the direction of Pierre Monteux. She participated in several television productions for RAI.”
“Protti was born in Cremona. He studied in Parma, and made his début in Pesaro, as Figaro, in 1948. He made his La Scala début in 1950, as Amonasro, and sang there for many years. He sang widely in Italy and Europe in the standard Italian repertory, earning a reputation for being ‘one of the most reliable baritones in the business’. He made a belated début at the Metropolitan Opera, as Rigoletto, at age 65. He was particularly appreciated in Verdi rôles, especially Rigoletto, his greatest rôle, but also as Alfio, Tonio, Gérard, Scarpia, etc.”
- Zillah Dorset Akron