Entfuhrung   (Wallberg;  Wunderlich,  Rothenberger, Holm, Bohme, Parlaghy)   (2-Walhall 0353)
Item# OP2329
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Product Description

Entfuhrung   (Wallberg;  Wunderlich,  Rothenberger, Holm, Bohme, Parlaghy)   (2-Walhall 0353)
OP2329. ENTFÜHRUNG, Live Performance, 8 Sept., 1961, Buenos Aires, w.Wallberg Cond. Teatro Colón Ensemble; Fritz Wunderlich, Anneliese Rothenberger, Renate Holm, Kurt Böhme, Victor Parlaghy, etc.; FRITZ WUNDERLICH: Six songs by Ludwig Senfl, recorded 27 Oct, 1954, Freiburg. (E.U.) 2-Walhall 0353. - 4035122653533

CRITIC REVIEWS:

"Anneliese Rothenberger had a light, lyric soprano that was well produced, smooth and beautiful; she was an attractive singer as well as a fine actress. She was a regular member of the Dresden, Vienna, and Munich operas for many years; her guest appearances at the Met were all too few."

- Kurt Moses, AMERICAN RECORD GUIDE, Sept./Oct., 2007



“Fritz Wunderlich was discovered for the opera stage at a student production of ZAUBERFLÖTE. At the age of 25 he was engaged at the Württemberg Staatstheater in Stuttgart, one of the most renowned opera houses in Germany at the time. Erich Schäfer was its General Manager, Ferdinand Leitner its conductor, and Wieland Wagner and Günther Rennert created very interesting productions. Wunderlich never broke off relations with Stuttgart completely, not even when he was engaged by the Munich Opera in 1958. Here he was influenced by Rudolf Hartmann, Günther Rennert and Josef Keilberth. In 1959 he made his début at the Salzburg Festival (Henry Morosus in Strauss’ DIE SCHWEIGSAME FRAU). He soon became the leading lyrical tenor and he was particularly admired in the Mozart repertoire. He also sang Alfredo, Lenski, Palestrina, and the Steersman in DER FLIEGENDE HÖLLANDER. He loved to sing Egk, Liebermann and Orff and was an eminent operetta singer. He sang operettas on stage only at the outset of his career in Freiburg and Stuttgart. He regularly appeared in oratorios and has been unsurpassed as Evangelist. With his fatherly friend Hubert Giesen he worked on Lieder and he soon was very much in demand as a recitalist. His career was one of the most successful after World War II. He died tragically of an accident, a few days before his 36th birthday. It is pointless to speculate what direction he would have taken if he had been granted a longer career. With the natural power of his voice he would have been able to move into heroic regions.”

- Andrea Shum-Binder, subito-cantabile



“Fritz Wunderlich spent five years in Stuttgart before he became a world figure.....The voice is young and fresh. There has hardly ever been a more beautiful tenor voice, and his career lasted only ten years because he died young.”

- Donald R. Vroon, AMERICAN RECORD GUIDE, July/Aug., 2004