OP2771. DER FREISCHÜTZ - Excerpts, recorded 1943, w.Heger Cond. Berlin Staatsoper Enemble; Müller, Spletter, Domgraf-Fassbänder, Grossmann, Seider, Hann, Greindl, etc.; Euryanthe – Excerpts, recorded 1943-48, w.Erna Berger, Fehenberger, etc. (Germany) Gebhardt 0047. Long out-of-print, final copies! - 4035122000474
“Maria Müller was born in Terezín, Bohemia. She studied in Vienna with Erik Schmedes, and débuted in Linz in 1919 as Elsa in Lohengrin. She also sang at the Deutsches Theater in Prague 1921-1923 and at the Staatsoper, Munich in 1923-1924.
On 21 January 1925, she made her début at the Metropolitan Opera in New York as Sieglinde in DIE WALKÜRE. The next day, Olin Downes wrote in The New York Times: ‘young Czech soprano .. was warmly welcomed. She has a fresh and youthful voice, a little small for the demands of her role, much grace and sincerity as an actress. Not often is the figure of Sieglinde so human, so tender and so appealing to the beholder’. The same year she sang Donna Elvira in DON GIOVANNI. She sang a total of 196 performances at the Metropolitan Opera between 1925 and 1935.
In 1930-1939, she was a regular in Bayreuth. Some of her major roles were Eva in DIE MEISTERSINGER VON NÜRNBERG in 1933, plus Sieglinde and Elsa in 1936. The New York Herald Tribune wrote in 1936 from Bayreuth: ‘Müller's voice is fresher and more beautiful then when she was at the Metropolitan’.
At Salzburg, she appeared as Eurydice (1931), Reiza (1933) and Donna Elvira (1934). She made her Covent Garden début as Eva in 1934, and sang Sieglinde in the 1937 Ring Cycles. Her large repertory included the title roles in DIE AGYPTISCHE HELENA, JENUFA and Gluck’s IPHIGENIE EN TAURIDE, Pamina, Tosca and Marguerite. Müller possessed a warm, vibrant voice and sang with a rare purity of tone.
After World War II she retired to live at Bayreuth, where she died in 1958.”
- Zillah Dorset Akron