Lohengrin   (Richard Kraus;  Peter Anders, Trude Eipperle, Helene Braun, Greindl, Kronenberg)   (3-Myto 934.85)
Item# OP2831
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Product Description

Lohengrin   (Richard Kraus;  Peter Anders, Trude Eipperle, Helene Braun, Greindl, Kronenberg)   (3-Myto 934.85)
OP2831. LOHENGRIN, Live Performance, 1951, Köln, w.Richard Kraus Cond. Kölner Rundfunk Ensemble; Peter Anders, Trude Eipperle, Helene Braun, Josef Greindl, Carl Kronenberg, etc.; PETER ANDERS, w.Fricsay, Smola & Steinkopf Cond.: Arias from Otello, Aïda & La Boheme, Broadcast Performances, 1942-52. (Croatia) 3-Myto 934.85. Long out-of-print, final copies! - 608974500856

CRITIC REVIEWS:

“Peter Anders was a German operatic tenor who sang a wide range of parts in the German, Italian, and French repertories. He began by singing lyric roles and later undertook dramatic roles with equal success.

Anders was born in Essen and studied at the Berlin Music Academy with Ernst Grenzebach, and later privately with Lula Mysz-Gmeiner, whose daughter Susanne he married. In 1931, he appeared in Berlin in LA BELLE HÉLÈNE, and made his operatic début the following year in Heidelberg, as Jacquino in FIDELIO. Anders sang in Darmstadt (1933–35), Cologne (1935–36), Hannover (1937–38), and then at the Munich State Opera (1938–40), where he took part in the creation of Richard Strauss' FRIEDENSTAG. He returned next to Berlin and sang at the Berlin State Opera from 1940 until 1948. His repertory at that time included lyric roles such as Belmonte, Tamino, Lyonel, Hans, Hoffmann, Leukippos, Alfredo and Rodolfo. Beginning in 1949, Anders undertook such heavier roles as Florestan, Max, Tannhäuser, Lohengrin, Walther, Siegmund, Radames, Otello, with equal success.

Anders made a few guest appearances at the Royal Opera House in London, the La Monnaie in Brussels and the San Carlo in Naples, as well as appearing at the Glyndebourne Festival. Anders sang not only an impressive range of operatic roles but also appeared in several operetta parts. He performed regularly on German radio and in concert and was also active in oratorio and lieder recitals.

He became a favorite of Adolf Hitler's regime and was not required to serve in the armed forces during the Second World War - instead he entertained German troops and participated in propaganda events. These activities tainted his reputation in the post-war world. While at the height of his career, Anders died in a car accident in Hamburg at the age of 46.”



“Trude Eipperle was a German operatic soprano who studied at the Musikhochschule in her native Stuttgart, and made her stage début in Wiesbaden, in 1930. She sang in Nuremberg (1930-34), Brunswick (1934-37), Munich (1938-44), Cologne (1945-51), and Stuttgart from 1951 onwards. She also appeared at the Salzburg Festival in 1942. She made guest appearances in Vienna, Milan, Barcelona, Lisbon, Brussels, Monte Carlo, Paris and London.

Her repertory included Countess Almaviva, Pamina, Agathe, Elisabeth, Elsa, Eva, the Marschallin, Arabella, Empress/Kaiserin (DIE FRAU OHNE SCHATTEN) but was also admired as Desdemona in Verdi's OTELLO, Mimi in LA BOHEME, and as Cio-Cio-San in MADAMA BUTTERFLY.”

- Loyal Bluto