La Basoche  (Messager)  (Gressier;  Berton, Monteil, Maurane, Musy, Lovano)  (2-Malibran 787)
Item# OP3164
$39.90
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Product Description

La Basoche  (Messager)  (Gressier;  Berton, Monteil, Maurane, Musy, Lovano)  (2-Malibran 787)
OP3164. LA BASOCHE (Messager), Broadcast Performance, 30 April, 1958, w.Gressier Cond. RTF Ensemble; Lillian Berton, Denise Monteil, Germaine Parat, Camille Maurane, Moizan, Boué, Bourdin, Louis Musy, Lucien Lovano, etc.; Messager Excerpts by Massard, Musy, Reidinger & Huylbrock. (France) 2-Malibran 787. - 7600003777874

CRITIC REVIEWS:

“LA BASOCHE is an opéra comique in three acts, with music by André Messager and a French libretto by Albert Carré. The opera débuted at the Opéra-Comique in Paris in 1890 and was mounted in Brussels in 1890, Geneva in 1891, London in 1891–1892 and New York in 1893.

The title of the operetta refers to the old Parisian guild of law clerks that was abolished with the French revolution in the 18th century. LA BASOCHE was first performed at the Opéra-Comique (Salle du Théâtre Lyrique, place du Châtelet), Paris, on 30 May 1890 and was initially given on 51 nights. It was revived there up to the Second World War and given at least another 150 performances, with Jean Périer, André Baugé playing Clément Marot and Lucien Fugère repeating the role of the duke. Messager himself conducted the 1900, 1902 and 1919 productions at the Opéra-Comique, while later revivals were conducted by Gustave Cloëz and Albert Wolff. In 1908 the work entered the repertoire of the Théâtre de la Gaîté in Paris, the cast including Baugé, Edmée Favart and Fugère and was revived there in 1927. It was presented at the Théâtre de la Porte-Saint-Martin in 1934 under the management of Maurice Lehmann with Baugé and Yvonne Brothier.”

- Wikipedia



“Camille Maurane was a French baritone singer who studied at the Paris Conservatoire in the class of Claire Croiza from 1936 to 1939. He began his professional career as a singer in 1940 at the Opéra-Comique in Paris. He débuted as the Moine musicien in LE JONGLEUR DE NOTRE DAME on 14 January 1940.

His voice was typical of the baryton-martin range (between baritone and tenor). He is famous for his interpretation of Debussy's Pelléas, for which he took part in three complete recordings. He is also regarded as one of the best interpreters of French mélodies, of which he left many recordings. His repertoire extended back to music of Rameau through to Honegger and other contemporaries. A dedicated teacher, he taught at the Paris Conservatory until 1981.”



“Louis Musy was a French operatic baritone and stage director principally active at the Paris Opéra-Comique. His teacher was Léon David. He made his début in LE CHEMINEAU by Leroux in 1925 at the Opéra-Comique and went on to sing many other French and Italian roles in the Opéra-Comique repertoire. Musy was a member of the four-member committee which ran the Opéra-Comique after the liberation of Paris during 1944. From 1947 he was a director of staging at the theatre. His pupils included Xavier Depraz, Jean Dupouy, Jacques Loreau, Irène Sicot and Remy Corazza.

He sang in recordings of CARMEN in 1927 (as Escamillo), FAUST in 1930 (Valentin), THE TALES OF HOFFMAN in 1948 (Lindorf), and LOUISE in 1956 (Father); as well as L'ÉCOLE DES MARIS by Emmanuel Bondeville in 1954 (Sganarelle), and LES MOUSQUETAIRES AU COUVENT 1957 (Bridaine) AND LA FILLE DE MADAME ANGOT in 1958 (Larivaudière). He played Dr. Bartolo in the 1948 Opéra-Comique film of LE BARBIER DE SÉVILLE directed by Jean Loubignac and conducted by André Cluytens.”

- Zillah Dorset Akron