Genevieve de Paris  (Marcel Mirouze)  (Henriette Faure;  Micheau, Cambon)  (Malibran 807)
Item# OP3255
$29.90
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Product Description

Genevieve de Paris  (Marcel Mirouze)  (Henriette Faure;  Micheau, Cambon)  (Malibran 807)
OP3255. GENEVIEVE DE PARIS (Marcel Mirouze), ORTF Broadcast Performance, 22 Jan., 1953, w. Janine Micheau, Jane Rolland, Pierre Nougaro, Lucien Lovano, Jacques Bouet, Jean Giraudeau, Charles Cambon, Louis Nougera, Joseph Peyron, etc. [Composed in recognition of the liberation of Paris from the Nazis] (Conducted by the COMPOSER); HENRIETTE FAURE, w.Otmar Nussio Cond. Radio Suisse Italienne Orch.: Piano Concerto (Marcel Mirouze). (France) 2-Malibran 807. - 7600003778079

CRITIC REVIEWS:

“Janine Micheau was a French singer, one of the leading lyric sopranos of her era in France, she was born in Toulouse, and studied voice at the Paris Conservatoire. She made her professional début at the Opéra-Comique on 16 November 1933, as la Plieuse in LOUISE, following this with Loys in JUIF POLONAIS by Camille Erlanger, etc. By 1935 her performances gained her invitations to Marseille (Lakmé), and then (at the instigation of Pierre Monteux) to Amsterdam (Mélisande) and San Francisco. In Buenos Aires, Erich Kleiber conducted her in Sophie in DER ROSENKAVALIER.

She created the role of Creuse in Darius Milhaud's MÉDÉÉ, for her début at the Paris Opéra in 1940, where she also sang Gilda in RIGOLETTO, Violetta in LA TRAVIATA and Sophie in DER ROSENKAVALIER, among other roles.

Once the war was over, her career became more international than it had been; she performed at La Scala in Milan, La Monnaie in Brussels, Royal Opera House in London, the San Francisco Opera, and the Lyric Opera of Chicago. At these venues she sang nearly all the great French soprano roles. From 1961 she became a voice teacher at the Paris Conservatoire, and the Mozarteum in Salzburg. Her final performance was as Pamina in Rouen in May 1968. She died in Paris at the age of 62.”

- Zillah Dorset Akron





“In the firmament of model French singers, Charles Cambon figures amongst the greatest. Thanks to the good instincts of certain artistic directors, this voice of exceptional timbre, power and range has been preserved for us in all its splendour.

Charles Cambon joined the chorus at l’Opéra in 1923, amking his solo début a year later in a small role in BORIS GODUNOV. He would remain thrity years in this illustrious theatre, making an impression as Amonasro, Valentin, Ottokar in DER FREISCHÜTZ, as Sylvio in PAGLIACCI and as the Dutchman. He appeared only once at l’Opéra-Comique as a memorable Zurga in LES PÊCHEURS DE PERLES. But it was radio and records that brought him fame. True opera-lovers never missed the broadcasts in which he starred, admiring his diction, his fearlessness, his fabulous top notes but also his sensibility and his dramatic instincts in the greatest roles; Rigoletto, Luna in IL TROVATORE, Athanaël, Iago and of course Hamlet.

Charles Cambon died in Paris on 17 September,1965. He lives on, thanks to recordings, as one of the most admired baritones of the French vocal tradition.”

- Jean Ziegler