Clara Haskil, Geza Anda;  Galliera; Klemperer  (Archipel 0339)
Item# P1039
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Product Description

Clara Haskil, Geza Anda;  Galliera; Klemperer  (Archipel 0339)
P1039. CLARA HASKIL: Mozart & Bach Program (w.Geza Anda; Galliera & Klemperer). (Germany) Archipel 0339, recorded 1956. Final copies! - 4035122403398

CRITIC REVIEWS:

"Haskil's return visit [to Boston] surpassed all expectations. A series of concerts with the Boston Symphony Orchestra under Charles Münch and an appearance at Carnegie Hall created a sensation and were reported in TIME magazine. Rudolf Eli wrote in the Boston Herald, ‘One of those most magical revelations that occurs in music once in a generation ... the most beautiful performance of Beethoven’s Third Concerto I have ever heard or expect to hear again’.

I first heard Clara Haskil’s name mentioned by Dinu Lipatti after a recital he gave in Switzerland. When I congratulated him on his Mozart playing, Lipatti said, ‘In two weeks’ time you must hear Clara play Mozart. Then you will realize how far the rest of us are from the truth’. I was young at the time, but the name stuck in my mind. Who was this mysterious Clara?

As Clara sat down the music materialized as if from nowhere. Her arm seemed to glide over the keyboard without preparation, just as a flat stone skims across the water. This was so typical of her playing; nothing seemed to start or end, and everything became timeless. Admiration and international fame came late in life for Clara Haskil, in a career beset by poor health and the adversities of a world war. Dinu Lipatti described her playing as ‘the sum of perfection on earth’, Wilhelm Backhaus called it ‘the most beautiful in the world’, Tatyana Nikoleyeva burst into tears when she first heard Haskil...."

- Peter Feuchtwanger

“In an age of well trained automata set to shine briefly on the competition circuit, Anda’s was a wholly personal voice backed by pianism and craftsmanship of a transcendental sheen and precision….Géza Anda’s…tragic death at the age of 54 extinguished a light that could never be replaced."

- Bryce Morrison, GRAMOPHONE, Aug., 2008