PE0005. Robb Wilton (British Comedy): Robb Wilton’s War. (England) Flapper 7854. - 727031785422
“Robb Wilton was an English comedian and comic actor who was famous for his filmed monologues in the 1930's and 1940's in which he played incompetent authority figures.
Wilton was born in Everton, Liverpool, and had a dry Lancashire accent which suited his comic persona as a procrastinating and work-shy impediment to the general public. Wilton's comedy emerged from the tradition of English Music Hall, especially popular in the North of England, and he was a contemporary of Frank Randle and George Formby, Jr.. He portrayed the human face of bureaucracy; for example, playing a policeman who shilly-shallies his way out of acting upon a reported murder by pursuing a contrarian line of questioning. Wilton, rubbing his face in a world-weary way, would fiddle with his props while his characters blithely and incompetently 'went about their work', his humour embodying the everyday and the absurd – and the inherent absurdity of the everyday.
Wilton's most popular catchphrase was ‘The day war broke out...’. The phrase was taken from his opening routine for radio which was ‘The day War broke out, my missus said to me, 'It's up to you...You've got to stop it'. I said, 'Stop what?'. She said, 'The War’.’
Another frequently reconstructed Wilton monologue was the 'fire station sketch', in which a bumbling fire officer takes a call reporting the location of a fire, but is sidetracked into trying to remember where it is instead of taking the details of the conflagration: ‘Grimshaw St... No, don't tell me... Oh, I could walk straight to it...’, finishing with the classic line to the long-suffering householder: ‘Can you keep it going 'til we get there?’
Possibly his best-known character, Mr Muddlecombe, an incompetent J.P., appeared in a number of radio series during the 1930's and 1940's and was known for the phase ‘You shouldn't have done that!’. He would also frequently make the comment: ‘Ee, what a to-do!’
He appeared in several films from 1934, generally in supporting comic roles. His last film appearance was in the Arthur Askey vehicle THE LOVE MATCH in 1955.”