PE0008. ALEC TEMPLETON (Musical Satirist): Bach Goes to Town, incl. The Shortest Wagnerian Opera, The Lost Chord (as it might have been written for a G & S Opera), Three Little Fishes, Mendelssohn Mows 'em Down, As Brünnhilde's Battle Cry might be Sung by an American Crooner, Mozart Matriculates, Blues in the Night, etc. (Germany) Flapper 7057, recorded 1938-39. Transfers by David Lennick. Final copies! - 727031705727
“The Welsh-born American, pianist and composer, Alec (Andrew) Templeton, was blind since birth, and was blessed with absolute pitch. He began his musical studies at an early age in his hometown and studied at the Worchester College and later in London at the Royal College of Music and at the Royal Academy of Music. He was only 12 when he began to appear on the BBC, remaining with it until 1935. At 18, he composed his Trio for flute, oboe and piano for which he was complimented by Ralph Vaughan Williams.
Jack Hylton, British bandleader, brought Alec Templeton to the USA in 1935 when Hylton was to broadcast a series of radio programs for the Standard Oil Company. He soon established himself as an incomparable and sincere artist. In addition to his imaginative modernising of the classical masters, Alec Templeton composed serious works for the piano, orchestra, string quartet, and voice. In his words, ‘Good music need not be ponderous to be good. It can be everything from Bach to jazz’. His style is close to the idiom of British folksongs. In 1941 he became naturalised American Citizen.
Alec Templeton was extremely successful as a radio pianist, especially with his musical sketches, parodies, etc. Some music lovers know the name Alec Templeton as the composer of ‘Bach Goes To Town’. And if their knowledge goes a bit further they also may recall ‘Mozart Matriculates’ and even ‘Scarlatti Stoops to Conga’. Templeton was known as the radio and TV celebrity who in the nineteen forties and fifties regularly appeared on shows hosted by Bing Crosby, and who later had his own show called ‘It's Alec Templeton Time’. The more serious collector will probably recall that he recorded Gershwin's RHAPSODY IN BLUE with Andre Kostelanetz for Columbia in the 1940's. Being a talented improviser Templeton had a good rhythmic feeling for Gershwin's syncopated music.
Alec Templeton's radio and TV fame was a good reason for Don Gabor to have a recording made of the improviser. In the season of 1951-1952 he concertised with the Cincinnati Symphony Orchestra. It is an outstanding interpretation despite the fact that Templeton is not a virtuoso and does not play the piano style impeccably, but the treatment of the rhythmic sections are very original and his phrasing is beautiful; the blues in the second movement is soulful, foreboding the dramatic, expressive lamentation. The critics were very positive about the performance of Templeton and conductor Johnson. Alec Templeton also wrote some more ambitious works, including ‘Concertino lirico’ (1942) and ‘Gothic concerto for Piano & Orchestra’ (New York, 19 December, 1954, composer soloist). With R. Baumel, he published ALEC TEMPLETON' MUSIC BOXES (New York, 1958).”
Three Little Fishes; Blues In The Night; Lost Chord; Shortest Wagnerian Opera; Tea For Two; Body And Soul; Music Goes 'round And Around; Blues In The Night; Opera Presentation Of 'South Of The Border'; Sultry Day In New York; Shortest Wagnerian Operas; Mozart Matriculates; Three Little Fishes; Hazy And Blue; Brunnhilde's Battle Cry As it Might Be Sung By An American Crooner; Mendelssohn Mows 'Em Down; Phonograph Record, Player Piano & Carmen Lombardo; Body And Soul; Vocal Impressions: 'Russian Basso & English Ballad Singer'; Grieg's In The Groove; And the Angles Sing; Tea For Two; Mary Had A Little Lamb; Star Dust; Man With New Radio.