PE0160. SOPHIE TUCKER: Sophie Tucker: Origins of the Red Hot Mama, 1910 - 1922. (Canada) Archeophone 5010, recorded 1910-22, featuring Tucker’s first 24 recordings w.Elaborate 72pp. hardbound book w.extensive liner notes. - 778632901674
“A CD & book that will rank as one of the most important documents in the history of recorded popular music, Origins of the Red Hot Mama, 1910-1922 is Sophie Tucker as you've never seen or heard her before. This unique package comes as a CD-sized hardback book with 72 full-color pages filled with new research into the early years of this icon of the double entendre and dozens of extraordinary illustrations--many of them from Sophie's personal scrapbooks, which she amassed over a 60-year period. Of special value are a foreword by acclaimed singer Michael Feinstein and a personal remembrance by a woman who knew Sophie Tucker better than most people: Broadway legend Carol Channing. 1923 was the year when, for the first time, Sophie Tucker was called "The Last of the Red Hot Mamas." Origins of the Red Hot Mama covers Tucker's entire rise to that point when she gained immortal fame--whether she was called "The Live Coon Shouter from the Sunny South," "The Mary Garden of Ragtime," "The Syncopated Cyclone," "Her Majesty Queen Sophie Tucker" or a score of other soubriquets. From her humble beginning washing dishes at Abuza's Restaurant to her hobnobbing with the Prince of Wales, it's all here in this gorgeous package, this love letter to an American classic. Not forgotten, but hardly understood, Sophie Tucker now takes her rightful place in early recording history.”
- Jody Rosen, THE NEW YORK TIMES, 28 Aug., 2009
“Sophie Tucker was born in Russia while her mother was emigrating to America to join her husband, also a Russian Jew. Her birth name was Sophia Kalish, but the family soon took the last name Abuza and moved to Connecticut, where Sophie grew up working in her family's restaurant. Playing piano to accompany her sister at amateur shows, Sophie Tucker quickly became an audience favorite; they called for ‘the fat girl’. At age 13, she already weighed 145 pounds.
Sophie Tucker was required to wear blackface by managers who felt that she would not otherwise be accepted, since she was ‘so big and ugly’ as one manager put it. She joined a burlesque show in 1908, and, when she found herself without her makeup or any of her luggage one night, she went on without her blackface, was a hit with the audience, and never wore the blackface again. Sophie Tucker briefly appeared with the Ziegfield Follies, but her popularity with audiences made her unpopular with the female stars, who refused to go on stage with her. She introduced in 1911 the song which would become her trademark: ‘Some of These Days’.
Sophie Tucker added jazz and sentimental ballads to her ragtime repertoire, and, in the 1930s, when American vaudeville was dying, she took to playing England. She made eight movies and appeared on radio and, as it became popular, television. Sophie Tucker became involved in union organizing with the American Federation of Actors, and was elected president of the organization in 1938. The AFA was eventually absorbed into its rival Actors' Equita as the American Guild of Variety Artists. With her financial success, she was able to be generous to others, starting the Sophie Tucker foundation in 1945 and endowing in 1955 a theater arts chair at Brandeis University.
Her fame and popularity lasted more than fifty years; Sophie Tucker never retired, playing the Latin Quarter in New York only months before she died in 1966. Always partly self-parody, the core of her act remained vaudeville: earthy, suggestive songs, whether jazzy or sentimental, taking advantage of her enormous voice.”
-Zillah Dorset Akron