S0105. WILLIAM PRIMROSE & HARRIET COHEN (Pf.): Viola Sonata in G (Bax); WILLIAM PRIMROSE & FRITZ KITZINGER (Pf.): Suite in a (Bloch; WILLIAM PRIMROSE & JESÚS MARÍA SANROMÁ (Pf.): Viola Sonata in F (Hindemith). (England) Biddulph LAB 148, recorded 1937-39. Transfers by Rick Torres. Long out-of-print, Final Copy! - 744718014828
"William Primrose was to the viola what Heifetz was to the violin….Think of Tertis as a Rolls Royce and Primrose as a Ferrari. This nimbleness of left and right hand made him Jascha Heifetz’s favorite alto-clef partner in chamber music and Mozart’s Sinfonia Concertante."
- Joseph Magil, AMERICAN RECORD GUIDE, May/June, 2006
"William Primrose was not the first viola virtuoso of the 20th Century, but he was certainly the best known. Born in Glasgow, he trained and performed as a violinist until switching instruments in 1926….His early experience as a violinist undoubtedly influenced his approach to the viola and recalls the great violinists of his generation: his sound was bright, his manner was high-strung, and he tossed off anything put before him with apparent ease and grace. What could this man not do?"
- David Radcliffe, AMERICAN RECORD GUIDE, Nov./Dec., 2005
"The great Scottish violist William Primrose revolutionised the playing of his instrument through both his virtuosity and the myriad colours he could evoke. Fully the equal of his colleagues Heifetz and Feuermann, he recorded a number of concertos and sonatas. However he also committed a substantial number of shorter pieces to disc, from Chopin and Dvorak to Kreisler and Arthur Benjamin. They reveal his lustrous, vibrant sound in some of the most beautiful pieces in the repertory."
-Zillah Dorset Akron