V0023. GABRIELLE RITTER-CIAMPI: Jazz dans la nuit (Roussel - Acc. by the Composer); Variations (Rode); Il Carnevale di Venezia (Benedict); Arias from Barbiere, La Fille du Régiment, Dinorah, Lakmé, Manon, Hamlet, Mignon, Faust, Les Huguenots, Roméo, Les Contes d’Hoffmann, Les Dragons de Villars, Louise, La Boheme, Madama Butterfly, Le Coq d’Or & Manon Lescaut (Auber). (France) Malibran 548, recorded 1923-29. - 3760003775486
“Gabrielle Ritter-Ciampi was born in Paris. The niece of Theodore Ritter, she originally trained as a pianist, and at age 16 she started to receive singing lessons from her parents; her Italian father, tenor Enzo Ciampi-Cellai, and French mother, Cécile Ritter-Ciampi. She débuted in 1917 as Violetta in LA TRAVIATA, and two years later she was engaged at l’Opéra-Comique, where she became famous as an interpreter in Mozart operatic rôles. Her activity was centered predominantly in France, but she took part also in the Salzburg Festival in 1932, again in Mozart's rôles.
She was considered a fine, light lyric soprano with good technique and was capable of reaching high notes easily, frequently compared to her days with Adelina Patti, who had a similar voice.
She did most of her recordings between 1923 and 1929, and recorded many selected arias from various works, but never complete operas. She also sang the title rôle in ESCLARMONDE at Opéra Garnier, a short-lived revival of that opera between 1931 and 1934.
Her career practically ended with World War II, with her last engagement being a rôle in an operetta by Reynaldo Hahn, LE OUI DES JEUNES FILLES, in 1949.”