V1390. MARIO LANZA, w.Ormandy Cond. Los Angeles Phil.: Arias from L’Elisir dAmore, Tosca & Andrea Chénier; FRANCES YEEND: Arias from Exsultate, Jubilate & Der Freischütz; Kling! (Strauss); LANZA & YEEND: Duets from La Traviata, Madama Butterfly & La Boheme. (E.U.) Myto 00303, Live Performance, 28 Aug. 1947, Hollywood Bowl. - 0801439903036
“On the night of 28 August, 1947, with the Hollywood Bowl Orchestra under the direction of guest conductor Eugene Ormandy, Lanza sang like a man inspired….earning himself a twelve-minute ovation - one of the longest in the Bowl’s history….Lanza’s singing on this occasion ranks alongside his finest recordings. It is musical, controlled, and free of the mannerisms that would mar some of his later performances….This is intelligent singing by any standard and demonstrates what Lanza was capable of achieving in the proper operatic environment.”
- Armando Cesari, MARIO LANZA, AN AMERICAN TRAGEDY, p.65
“Mario Lanza was one of America's most successful singers and movie stars in the years immediately following World War II. Born Alfredo Arnold Cocozza, he was the son of Italian immigrants, adopting his stage name from the masculine form of his mother's maiden name, Maria Lanza. From the age of 15, he studied to be a professional singer, later signing to the Columbia Artists Management agency as a concert singer; however, his career took a left turn in 1943, when he was drafted into the U.S. Army. Billed as ‘the Service Caruso’, Lanza performed for his fellow infantrymen and also sang in the production WINGED VICTORY; upon his return from duty, he relocated to New York, where he performed concert dates and appeared on radio. One of his audition tapes found its way to MGM's Hollywood studios, and after MGM chief Louis B. Mayer subsequently saw Lanza perform live, he signed the singer to a seven-year contract.
After making his first -- and final -- appearance on the professional opera stage in 1948 in the New Orleans Opera's production of MADAMA BUTTERFLY, Lanza made his MGM début the following year in THE MIDNIGHT KISS, scoring a hit with the soundtrack's ‘Celeste Aïda’. THE TOAST OF NEW ORLEANS followed, launching his first million-selling hit, ‘Be My Love’. In 1951 Lanza starred as his idol in the biopic THE GREAT CARUSO, scoring another million seller with ‘The Loveliest Night of the Year’. In 1951 he mounted his own CBS radio series, and the following year starred in BECAUSE YOU'RE MINE; the title song, penned by Sammy Cahn and Nicholas Brodszky, earned an Academy Award nomination, and became Lanza's third and final million-selling effort.
After completing the music for the MGM production of THE STUDENT PRINCE, Lanza walked out on the project, but by allowing the studio to retain rights to the recordings, he was able to avoid a breach of contract lawsuit, with the single ‘The Drinking Song’ rising to the top of the U.S. charts. In the wake of his walkout Lanza became a recluse, disappearing from the limelight for over a year while battling addictions to food, alcohol, and tranquilizers; he also faced a series of battles with the IRS. Finally, in 1956 he resumed his film career in the Warner Bros. production SERENADE; the next year, however, disillusioned with American life, he moved to Italy, settling in Rome to star in 1958's THE SEVEN HILLS OF ROME. That same year Lanza toured the U.K., making one final film, FOR THE FIRST TIME. He died in 1959 of a heart attack.”
- All Music Guide