V1568. PETER ANDERS: Songs by Strauss; Arias from Otello, La Traviata, Andrea Chénier, Prodaná Nevesta, Eine Nacht in Venedig, Der Zigeunerbaron, Gräfin Mariza & Friederike. (Germany) 2-Audite 23.419, Broadcast Performances, 1949-51. Final Sealed Copy! - 402143234197
“Two of Germany’s finest tenors were fated to die in tragic accidents at the height of their careers. Fritz Wunderlich, though only 36, left a generous archive of recordings….Anders was a decade older when he died, so his recordings demonstrate the gradual change from a light lyric tenor to one capable of tackling heavier rôles such as Otello, Lohengrin, and the Ariadne Bacchus….A steady progression around the many German opera houses ensured that his attractive tenor voice was allowed to grow steadily and was never over-stretched. Nearly all the material here has been derived from radio broadcasts from 1949 to 1951, and it is new to CD. At this stage in his career, he was still able to supply the lyricism for the operetta items as well as the vocal heft required for Otello….A most worthy tribute to a great tenor.”
- Vivian A. Liff, AMERICAN RECORD GUIDE, March/April, 2010
“Peter Anders was a German operatic tenor who sang a wide range of parts in the German, Italian, and French repertories. He began by singing lyric roles and later undertook dramatic roles with equal success.
Anders was born in Essen and studied at the Berlin Music Academy with Ernst Grenzebach, and later privately with Lula Mysz-Gmeiner, whose daughter Susanne he married. In 1931, he appeared in Berlin in LA BELLE HÉLÈNE, and made his operatic début the following year in Heidelberg, as Jacquino in FIDELIO. Anders sang in Darmstadt (1933–35), Cologne (1935–36), Hannover (1937–38), and then at the Munich State Opera (1938–40), where he took part in the creation of Richard Strauss' FRIEDENSTAG. He returned next to Berlin and sang at the Berlin State Opera from 1940 until 1948. His repertory at that time included lyric roles such as Belmonte, Tamino, Lyonel, Hans, Hoffmann, Leukippos, Alfredo and Rodolfo. Beginning in 1949, Anders undertook such heavier roles as Florestan, Max, Tannhäuser, Lohengrin, Walther, Siegmund, Radames, Otello, with equal success.
Anders made a few guest appearances at the Royal Opera House in London, the La Monnaie in Brussels and the San Carlo in Naples, as well as appearing at the Glyndebourne Festival. Anders sang not only an impressive range of operatic roles but also appeared in several operetta parts. He performed regularly on German radio and in concert and was also active in oratorio and lieder recitals.
He became a favorite of Adolf Hitler's regime and was not required to serve in the armed forces during the Second World War - instead he entertained German troops and participated in propaganda events. These activities tainted his reputation in the post-war world. While at the height of his career, Anders died in a car accident in Hamburg at the age of 46.”
- Ned Ludd