Annelies  Kupper          (Preiser 93476)
Item# V1821
$17.90
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Product Description

Annelies  Kupper          (Preiser 93476)
V1821. ANNELIES KUPPER: Arias & Duets (w.Anny Schlemm, Wolfgang Windgassen, Hans Reinmar, Kurt Böhme & Lorenz Fehenberger) from Nozze, Don Giovanni, Aïda, Tannhäuser, Die Toten Augen, Tiefland, Die Tote Stadt, Ariadne auf Naxos & Daphne. (Austria) Preiser 93476, recorded 1949-57. - 717281934763

CRITIC REVIEWS:

“Annelies Kupper (1906-87) was a grande dame of the German stages specializing in Mozart, but with enough power to take on Aïda, some Strauss heroines (Ariadne, Daphne), Tannhäuser’s Elizabeth and the heavy-duty heroines of Die Toten Augen, Die Tote Stadt and Tiefland, all heard on this disc….She does get splendid 'backup' from Wolfgang Windgassen in TANNHÄUSER, a ferocious Amonasro from Hans Reinmar in the ‘Nile Scene’, Kurt Boehme in TIEFLAND, and Lorenz Fehenberger in the glorious ‘Glück, das mir Verblieb’ from DIE TOTE STADT.”

- Charles H. Parsons, AMERICAN RECORD GUIDE, May/June, 2012



“After she had already worked as concert soprano, Annelies Kupper made her début in 1935 at the Opera House of Breslau as a second boy in ZAUBERFLÖTE. Other appearances quickly followed. After the National Theatre of Schwerin (1937-1938) and the National Theatre of Weimar (1938-1940), she came in 1940 to the State Opera of Hamburg. There she remained until 1945, and since then was a celebrated member of the Bavarian State Opera Munich. Annelies Kupper made regularly guest appearances at the State Opera of Vienna (starting in 1938 with the rôle of Eva in MEISTERSINGER) and at the State Opera, Berlin. Appearances led her to Paris, Stockholm, Brussels, The Hague and Amsterdam. At Bayreuth she sang in 1944 Eva in MEISTERSINGER, and in 1960 Elsa in LOHENGRIN. At the Salzburg Festival in August 1952 she created the title rôle in the official première of the Strauss’ DIE LIEBE DER DANAË, as the composer himself had promised her just before his death in 1949. In 1950 she sang the Female Chorus in THE RAPE OF LUCRETIA by Benjamin Britten, and also the solo soprano in MESSIAH and in Franz Schmidt’s BUCH MIT SIEBEN SIEGELN. In 1952-1953 she made a guest appearance at Covent Garden as Chrysothemis in ELEKTRA and in the première there of BUCH MIT SIEBEN SIEGELN. As late as 1961, she sang in Munich Desdemona in Verdi’s OTELLO. Until 1966 she still gave occasional appearances. After 1956 Annelies Kupper worked as lecturer, later as Professor at the Munich College of Music. The beauty of her voice, and the way she expressed her feelings were admired by the critics and the public alike.”

- Aryeh Oron