V2307. VITALY KILCHEVSKY, w. B. Rakova & G. Orentlikher (Pfs.): An die ferne Geliebte (Beethoven); Ständchen; Der Leiermann (both Schubert); An den Sonnenschein; Ich hab' im Traum geweinet; Ich grolle nicht (all Schumann); Jeg elsker deg (Grieg); Guide au bord ta nacelle (Massenet); Chi m'ascolta il canto usato (Rossini); Élégie (Massenet); I'm alone again; Arion; Aleko - Romance of the young gypsy (all Rachmaninov); L’Elisir – Una furtiva lagrima. (Russia) Aquarius AQVR 388, recorded 1947-50. Live Performance, 1 Jan., 1958, Small Hall of the Moscow Conservatory. [A most intriguing recital.] - 4607123631560
“Vitaly Kilchevsky (1899-1986) was one of the famous Russian tenors of the Soviet period. For many years he sang as a soloist at theatres in Leningrad - Mikhailovsky (from 1936) and the Mariinsky (from 1944). In Moscow he performed at the Bolshoi between 1947 and 1955. He studied singing under the outstanding singer and teacher Sophia Akimova (wife of the great tenor Ivan Yershov) at the Leningrad Conservatory. One fellow student being the baritone Pavel Lisitsian.
Kilchevsky’s repertoire included many lyric tenor roles, such as Vaudemont and Lensky (IOLANTHE and EUGEN ONÉGIN), Alfredo, the Duke of Mantua, Faust (Gounod), Almaviva, Roméo, Gerald, etc. According to Ivan Petrov’s memoirs, Kilchevsky was an artistic singer, possessed of a lyric tenor voice which was particularly strong in the upper register. His most famous recordings are Tchaikovsky ‘s THE MAID OF ORLEANS (1946, the role of Charles VII) and Dargomizhsky’s RUSALKA (1948, the role of the Prince). His recorded heritage is also represented by operatic arias, duets, songs and romances, as well as recordings of recitals.”
- Z. D. Akron
“Vitaly Kilchevsky would appear…to have slipped through the net. This is a shame as he possessed a voice of considerable quality that at its best combined excellent musicality and charm."
- Alan Bilgora, THE RECORD COLLECTOR, 2015
“Aside from a possessing particularly beautiful voice with a vibrant top, Vitaly Kilchevsky’s artistic phrasing is a delight to both the ear and the heart! Highly reminiscent of Lemeshev, he offers cherished moments during which one holds one’s breath hearing his heavenly pianissimi! His very few recital CDs are all treasures and we are in Aquarius’ debt for making them available - V2515, V2307, V2203.”
- J. R. Peters