V2309. TITO SCHIPA: Inno a Diana (Puccini); Arias from Parida ed Elena, Il Pompeo, La Rondine, Iris & Fedora – studio recorded 2 sept., 1964, New York (provenance unknown); w.Campino Cond.: Songs by Barthélemy, Pisano, Valente, Caslar, Gigante, Oliviero & di Giacomo – recorded 1955, Milano; w.Erokhin (Pf.): Songs by Scarpelli, Tosti, de Curtis, Barthélemy, Oliviero & Palacios – recorded 1957, Moscow; w.Albert Carlo Amato (Pf.): Arias from Semele, L’Elisir, Don Pasquale & Martha – Live Performance, 1962, Washington; Francis Robinson interviews Tito Schipa, 15 Dec., 1962. VAI 1281. Final Sealed Copy! - 089948128120
“Tito Schipa was an Italian tenor who is considered one of the finest tenori di grazia in operatic history. He was endowed with a natural, sensuous voice which he deployed with great intelligence and taste. Although some contemporary critics considered Schipa's voice to be small in size, restricted in range and slightly husky in timbre, he was still capable of provoking intense public outpourings of support among his legion of fans. These fans were enthralled by Schipa's superior musicianship, as well as by his winning personality and his ability to breathe life into even the most trite song or hackneyed aria.
Like all the most beloved singers, Schipa possesses a unique and immediately recognizable timbre. In 1913, his voice is fresh, warm and bright, and at the age of 25 he has already formed his own style….Where the vocal registers are concerned, Schipa does not seem to have any problems and may have been born with the registers naturally blended….[His] unostentatious way of ‘showing off’ makes Schipa truly a connoisseur’s tenor….”
- Michael Aspinall, THE RECORD COLLECTOR, 2013
"[Schipa’s] was a beautiful voice – a short voice, not a big top to it or anything, but a lovely timbre. His legato and his attention to words was superb, and I always admired the details, all the little touches that he put into his characters."
- Rosa Ponselle, ROSA PONSELLE, A CENTENARY BIOGRAPHY, pp.274-75