B1333. ROBERT MERRILL. Between Acts [Autobiography]. New York, McGraw-Hill, 1976. 240pp. Photos; DJ. - 0-07-041501-3
"Robert Merrill has written a joyful book of wonderful anecdotes about opera, on and off-stage. The book also gives a lovely scenario about the glory days of great performers during the past century. BETWEEN ACTS is a delight."
- Zillah Dorset Akron
"It goes without saying that Robert Merrill's work was a vital part of what made the Met's Golden Age so golden; he was highly valued there for his vigorous, powerful, and technically unshakable singing, if not for his acting skills (which were never a priority). In 1993, he was awarded the United States Medal of Arts."
- Adrian Corleonis, allmusic.com
"Robert Merrill made his Metropolitan debut as Germont on 15 Dec., 1945, and celebrated his 500th performance there on 5 March, 1973. He remained on the Met roster until 1976. During his tenure with the Met, Mr. Merrill sang leading roles in much of the standard repertory, including the title role in RIGOLETTO, Germont in LA TRAVIATA, Figaro in IL BARBIERE DI SIVIGLIA, Escamillo in CARMEN and Tonio in PAGLIACCI; he appeared in most of these many times. Regarded as one of the greatest Verdi baritones of his generation, he was known for the security and strength of his sound, as well as for the precision and clarity with which he could hit pitches across his two-octave range.
Although he occasionally appeared in Europe and South America, he preferred to base his career at the Metropolitan Opera, where he sang all the major baritone roles of the Italian and French repertories, Peter G. Davis wrote of Mr. Merrill in THE NEW GROVE DICTIONARY OF AMERICAN MUSIC. ' In terms of vocal endowment, technical security and longevity, he was unequaled among baritones of his generation at the Metropolitan'. 'After Leonard Warren's tragic death onstage at the Metropolitan in 1960, Merrill became more or less indisputably America's principal baritone and perhaps the best lyricist since Giuseppe de Luca', the critic J. B. Steane wrote in his book THE GRAND TRADITION. The easy and even production of a beautifully well-rounded tone is not common, especially when the voice is also a powerful one; yet this is, after all, the basis of operatic singing, and Merrill's records will always commend themselves in these terms. Mr. Merrill made many recordings for RCA. He sang in two complete opera broadcasts on radio under Toscanini - LA TRAVIATA in 1946 and UN BALLO IN MASCHERA in 1953 - both of which were later issued on CD. He wrote two autobiographies, ONCE MORE FROM THE BEGINNING (1965) and BETWEEN ACTS (1976), as well as a novel, THE DIVAS (1978). He received a number of honorary doctorates and awards."
- THE NEW YORK TIMES, 26 Oct., 2004