B1479. (OISTRAKH) VIKTOR JUZEFOVICS. David Ojsztrah. Budapest, Gondolat, 1980. 231pp. Index; Numerous brief bios; Photos. (Hungarian text) Very decent copy has considerable pencil markings. - 963-280-931-9
“David Oistrakh was a renowned Soviet classical violinist. Oistrakh collaborated with major orchestras and musicians from many parts of the world, including the Soviet Union, Europe, and the United States, and was the dedicatee of numerous violin works, including both of Dmitri Shostakovich's violin concerti, and the violin concerto by Aram Khachaturian. He is considered one of the preeminent violinists of the 20th century. From 1940 to 1963, Oistrakh performed extensively in a trio that also included the cellist Sviatoslav Knushevitsky and the pianist Lev Oborin. It was sometimes called the 'Oistrakh Trio’. Oistrakh collaborated extensively with Oborin, as well as Jacques Thibaud, a French violinist.
Arguably one of the most heroic acts in his life was his performance of Tchaikovsky's violin concerto to its end in the central music hall during the Battle of Stalingrad in winter 1942 while central Stalingrad was being massively bombed by the German forces.
1968 saw wide celebrations for the violinist's sixtieth birthday, which included a celebratory performance in the Great Hall of Moscow Conservatory of the Tchaikovsky concerto, one of his favourite works, under the baton of Gennady Rozhdestvensky. Oistrakh was now seen as one of the great violinists of his time, among such luminaries as Romania's George Enescu and Lithuanian born Jascha Heifetz”
- Z. D. Akron
“David Oistrakh is considered the premiere violinist of the mid-twentieth century Soviet Union. His recorded legacy includes nearly the entire standard violin repertory up to and including Prokofiev and Bartók. In 1937 the Soviet government sent him to Brussels to compete in the International Ysa˙e Competition, where he took home first prize. With his victory in Brussels, Soviet composers began to take notice of their young compatriot, enabling Oistrakh to work closely with Miaskovsky and Khachaturian on their concerti in 1939 and 1940, respectively. In addition, his close friendship with Shostakovich led the composer to write two concerti for the instrument (the first of which Oistrakh played at his, and its, triumphant American premiere in 1955). During the 1940s Oistrakh's active performing schedule took him across the Soviet Union but his international career had to wait until the 1950s when the political climate had cooled enough for Soviet artists to be welcomed in the capitals of the West.
Throughout his career David Oistrakh was known for his honest, warm personality; he developed close friendships with many of the leading musicians of the day. His violin technique was virtually flawless, though he never allowed purely physical matters to dominate his musical performances. He always demanded of himself (and his students) that musical proficiency, intelligence, and emotion be in balance, regardless of the particular style. Oistrakh felt that a violinist's essence was communicated through clever and subtle use of the bow, and not through overly expressive use of vibrato. To this end he developed a remarkably relaxed, flexible right arm technique, capable of producing the most delicate expressive nuances, but equally capable of generating great volume and projection.”
- Blair Johnston, allmusic.com