Dimitri Mitropoulos, Vol. II  -  Boston S.O. - Mozart, Krenek & Schubert    (St Laurent Studio YSL 78-480)
Item# C1549
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Dimitri Mitropoulos, Vol. II  -  Boston S.O. - Mozart, Krenek & Schubert    (St Laurent Studio YSL 78-480)
C1549. DIMITRI MITROPOULOS Cond. Boston Symphony Orch.: Zauberflote - Overture (Mozart); Variations on 'I wonder as I wander' (Krenek); Symphony #2 in B-flat (Schubert). (Canada) St Laurent Studio YSL 78-480, Live Performance, 23 Dec., 1944, Symphony Hall, Boston. Transfers by Yves St Laurent.


"I realized that there was actually a lot of thought insight in what [Krenek] had written....In those days, we called it very modern music, it was 'far out', and people used to tell me they couldn't understand this music; well, I couldn't understand it, actually [when we played it in Minneapolis, 11 Dec., 1942], but when I heard it on that broadcast from Boston [above], I honestly did like it....I could see there were things in there [Variations on 'I wonder as I wander'], that notes were popping out from different parts of the orchestra that I hadn't known existed."

- Rhadames Angelucci, Richard O. Boyer's Profile 'Maestro on a Mountaintop', THE NEW YORKER, 15 April, 1950

“Conductor Dimitri Mitropoulos stood apart from the European traditions that dominated first-rank American orchestras for much of the twentieth century. After attending the Athens Conservatory, where he studied piano and composition, his opera BÉATRICE was presented there. The French composer Saint-Saëns was in the audience, and was so impressed that he arranged a scholarship that enabled the 24-year-old to study composition with the Belgian composer Paul Gilson and piano with Busoni in Berlin. Busoni persuaded him to abandon composition and concentrate on becoming a conductor.

From 1921 to 1925, Mitropoulos assisted Erich Kleiber at the Berlin State Opera and on Kleiber's recommendation, was appointed conductor of the Hellenic Conservatory Symphony Orchestra in Athens. In 1927, he became conductor of the Greek State Symphony Orchestra and in 1930 was engaged to conduct the Berlin Philharmonic Orchestra, where he instituted the practice of conducting from the piano.

In 1937 Mitropoulos succeeded Eugene Ormandy as musical director of the Minneapolis Symphony Orchestra. He became a U.S. citizen in 1946, and remained in America until 1959. After 12 years in Minneapolis, he was invited to share the conductorship of the New York Philharmonic Orchestra with Stokowski, becoming its conductor when Stokowski resigned in 1950. Mitropoulos resigned the post after sharing the podium with Leonard Bernstein, his co-principal conductor, in the Orchestra's 1958 tour of Latin America. From 1954, he was a dynamic force as Bruno Walter's successor at the Metropolitan Opera, where he introduced many new operas, including ones by Richard Strauss and Samuel Barber.

Mitropoulos never conducted his own works, but considered his best composition to be a Concerto Grosso written in 1929. He lived simply and took little part in social activities. His conducting style was passionate, highly-charged and demonstrative; he had a phenomenal memory and rarely used a baton. He programmed much modern music and particularly admired Schönberg and the Second Viennese School, such as Webern and Berg, as well as twentieth century American and British composers. His recording of Mahler's First Symphony made with the Minneapolis Symphony Orchestra in 1941 was the first ever made in the U.S. of that work, and Mitropoulos was awarded the American Mahler Medal of Honor in 1950 for his work in promoting the composer's music. He died while rehearsing Mahler's Third Symphony with Toscanini's famous La Scala Orchestra.”

- Roy Brewer, allmusic.com

“Each of these disks, from Canadian engineer Yves St Laurent… [feature] St Laurent's natural transfer – made without filtering, like all his dubbings – it is easy to listen to, despite the surface noise.”

- Tully Potter, CLASSICAL RECORD QUARTERLY, Summer, 2011