Bruno Maderna, Vol. XXIV;  Goren Kubitzki  - Schonberg, Stravinsky, etc.      (St Laurent Studio YSL T-479)
Item# C1564
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Bruno Maderna, Vol. XXIV;  Goren Kubitzki  - Schonberg, Stravinsky, etc.      (St Laurent Studio YSL T-479)
C1564. BRUNO MADERNA Cond. RAI S.O., Milano: Symphony #18 in F, K.130 (Mozart); Le Sacre du Printemps (Stravinsky); Five Pieces for Orchestra; w.Goren Kubitzki: A Survivor from Warsaw (both Schönberg). (Canada) St Laurent Studio YSL T-479, Live Performances, 1961-66. Transfers by Yves St Laurent.


“Bruno Maderna, like his close friend and fellow avant-garde composer Pierre Boulez, had in recent years become a conductor of international reputation. Since his debut here in 1970 conducting Mercadante's opera II GIURAMENTO at the Juilliard School, Mr. Maderna had led the New York Philharmonic, the Chicago Symphony, the Philadelphia Orchestra, the Boston Symphony and the Detroit Symphony. In Europe he had conducted widely, including the London Symphony, the B.B.C. Symphony and the Concertgebouw in Amsterdam. For the last two years of his life he was music director of the Italian Radio in Milan.

Mr. Maderna did not put great stock in his, or anyone's, success on the podium. ‘The era of the star conductor is finished’, he told a NEW YORK TIMES interviewer in 1972. In place of that phenomenon we must have, he contended, composer-conductors who could guide the musical life of their communities. His ideal in this respect was Mr. Boulez, the New York Philharmonic's music director.

Mr. Maderna, who was born in Venice, made his New York City Opera debut [in 1972] conducting a new production of DON GIOVANNI.”

- THE NEW YORK TIMES, 14 Nov., 1973

"Maderna was a musician who couldn't write or conduct a note without wanting to communicate something essential, and essentially human. He is arguably the most underrated figure of the avant-garde; Maderna's music breathes an expressive freedom that makes it, I think, immediately compelling. His commitment to the modernist cause is unassailable. As well as Maderna's own music, there are a handful of recordings you need to hear. There's a white-hot Mahler 9th with the BBC Symphony Orchestra from 1971 - one of the most incandescent interpretations I've ever heard, and a thrilling LE MARTEAU SAN MAITRE on YouTube; on CD and download, you can find Maderna's Schonberg, Webern, Malipiero, Stravinsky, and even Mozart as well. The most eloquent revelation of how much Maderna meant to the whole generation of post-war composers is the music they wrote in his memory: Boulez's RITUEL IN MEMORIAM BRUNO MADERNA and Berio's CALMO. But the best tribute to Bruno you can give him is to listen to his own music. Enjoy."

- Tom Service, THE GUARDIAN, 13 Nov., 2013