C1821. WILLIAM STEINBERG Cond. Boston Symphony Orchestra: Symphony #2 in E-flat; w.ZARA NELSOVA: Cello Concerto in e; WILLIAM STEINBERG Cond. Cleveland Orchestra: Enigma Variations (all Elgar). (Canada) 2-St Laurent Studio YSL T-948, Live Performances, 1969, Symphony Hall, Boston & 1957, Severance Hall, Cleveland. Transfers by Yves St Laurent.
“The second generation of a distinguished Russian musical family, Ms. Nelsova was born in Canada, educated in England, and is a citizen of the USA. She made her début with the London Symphony at age 12, and since that time has regularly toured every continent, including her triumphant tour of the Soviet Union in 1966 as the first to be made by an American soloist.
Zara Nelsova has appeared with virtually every major orchestra in North America including those of New York, Boston, Chicago, and Philadelphia. She has appeared with numerous European orchestras including the Concertgebouw Orchestra of Amsterdam, Royal, Berlin, and London Philharmonics, the BBC and London symphony orchestras, and in Warsaw and Poznan with the Amadeus Chamber Orchestra. She has collaborated with such eminent conductors as Bernstein, Boulez, Barenboim, Mehta, Haitink, Solti, Böhm, Rostropovich, Ozawa, and Steinberg. Her many international festival appearances have included Tanglewood, Hollywood Bowl, Aspen, Caramoor, Ann Arbor, Lucerne, Casals, Prague, Gstaad, and Bergen.
She has collaborated with many well-known twentieth century composers. Samuel Barber chose her for the recording of his Cello Concerto, as did Ernest Bloch for his ‘Schelomo’. She performed Sir William Walton's Cello Concerto under the baton of the composer as well.
Ms. Nelsova is the recipient of Canada's Centennial Medal of the Confederation ‘in recognition of valuable service to the nation’, and the Jubilee Medal from Canada in honor of the Silver Anniversary of the accession to the throne of Her Royal Majesty Queen Elizabeth II. Ms. Nelsova is a fellow at the Royal Academy of Music, a member of the faculty of The Juilliard School, and chair on the Board of Governors as professor of music at Rutgers University. In 1992, she received an honorary degree from Smith College.”
- Tim Janof, Internet Cello Society
"In 1960 Steinberg scored a great success guest-conducting the Boston Symphony Orchestra and was the preferred choice of its board for their next music director, as Charles Munch was stepping down from the position. However RCA, the orchestra's record company, successfully pressured them to appoint Erich Leinsdorf, already on their roster of conductors. After Leinsdorf's tenure, one of mixed success ended, they did appoint Steinberg to the post, effective 1969."
- Joseph Stevenson, allmusic.com
"William Steinberg is one of those conductors highly respected by musicians and critics familiar with his work, but who never developed the kind of public acclaim accorded to some of his contemporaries. His relative neglect is partly due to Steinberg’s long association with the Pittsburgh Symphony, an orchestra whose reputation, while good, was not seen as front rank. Many collectors prized his recordings with Pittsburgh on the Command label (and his EMI discs too), but in those days there was more glamour associated with Charles Munch in Boston, George Szell in Cleveland, and Fritz Reiner in Chicago."
- Henry Fogel, FANFARE