Carl Schuricht, Vol. V;  Christian Ferras  (St Laurent Studio YSL T-1292)
Item# C1980
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Carl Schuricht, Vol. V;  Christian Ferras  (St Laurent Studio YSL T-1292)
C1980. CARL SCHURICHT Cond. l'Opéra de Monte-Carlo Orch.: 'London' Symphony #104 in D (Haydn); 'Haffner' Symphony #35 in D, K.395; w.CHRISTIAN FERRAS: Violin Concerto #4 in D,K.218 (both Mozart). (Canada) St Laurent Studio YSL T-1292, Live Performance, 15 Aug., 1959, Basilique Saint-Michel Archange de Menton, France. Transfers by Yves St Laurent.

CRITIC REVIEWS:

“Christian Ferras was a French violinist who, at the age of 10, won the first prize of the Nice Conservatory and won the first prize of the Paris Conservatory in 1946, where he studied with Rene Benedetti and Joseph Calvet. He started an international career with leading orchestras and conductors, notably recording the romantic concertos of Beethoven, Tchaikovsky, Sibelius and others with Herbert von Karajan. Since the recent retirement of Zino Francescatti, he was considered France's leading concert violinist.

Mr. Ferras, who made his New York debut in 1959 when he was 25, won consistently high praise for his musicianship. Howard Taubman, music critic of THE NEW YORK TIMES, wrote that Mr. Ferras was 'uncommonly gifted’ and that his playing had ‘fire and brilliance’. Over the years, the violinist appeared on the concert stage as soloist with the New York Philharmonic, Boston Symphony, Minneapolis Symphony and other leading orchestras. His grasp of the violin repertory, and in particular the works of Bach, Brahms and Mendelssohn, was enhanced by what Mr. Taubman called ‘a texture and muscularity that reflects the Gallic style’ of playing the instrument.”

- THE NEW YORK TIMES, 16 Sept., 1982







“Small of stature but sumptuous of tone, Christian Ferras represented the best of the Franco-Belgian violin school. Of his two main teachers, René Benedetti inculcated a respect for technique and George Enescu broadened his outlook - he was to command a much wider repertoire than most French violinists of his era. In the 1960s he was the favoured violin soloist of Herbert von Karajan and their recordings together sold by the thousand. Unfortunately the illness that was to lead to his death often kept Ferras away from the concert hall. But today his reputation continues to grow, as his records are discovered by a fresh audience.”

- Medici-TV







“Carl Schuricht was among the most distinguished German conductors of the inter- and post-War years. He studied composition with Engelbert Humperdinck at the Hochschule für Musik in Berlin, and then with Max Reger in Leipzig. He became music director in Wiesbaden in 1911 and elected to stay there until 1944. From this base he made frequent guest conducting appearances elsewhere and appeared at many summer music festivals. He was known for his interest in French music and other modern compositions, and frequently played music of Debussy, Ravel, Schönberg, and Stravinsky.

He toured abroad often, and made his first U.S. appearance in 1927. For many years he conducted annual summer concert series in Scheveningen, Holland, a resort town next to the capital city, The Hague. In recognition of this, the Dutch government gave him the Order or Orange-Nassau in 1938.

In 1942 he was appointed conductor of the Dresden Philharmonic Orchestra. He often opposed the Nazi government's policies, and in 1944 fled to Switzerland, where he resided thereafter. As many German conductors who had favored modern music in the inter-War years did, he settled firmly to the traditional symphonic repertory in the post-War years and thereafter became strongly associated with performances in the Romantic tradition, with rhythmic freedom and a smooth, beautiful and expressive sound.

He was chosen to conduct the re-opening, after the War, of the Salzburg Festival in Austria in 1946, and continued his frequent guest conducting appearances and associations with summer festivals, including the Ravinia Festival in Chicago and the Tanglewood Festival with the Boston Symphony Orchestra in Massachusetts. He often conducted the London Philharmonic and the BBC Symphony Orchestra. He was chosen to share conducting duties with André Cluytens when the Vienna Philharmonic made its first American tour in 1956. In later years he often took the podium with that orchestra and the Berlin Philharmonic and frequently conducted the Stuttgart Radio Symphony Orchestra.”

- Joseph Stevenson, allmusic.com