Who’s Afraid of Virginia Woolf?  (2-Warner Bros. 657)  Soundtrack LPs
Item# LP0281
Availability: Usually ships the same business day

Product Description

Who’s Afraid of Virginia Woolf?  (2-Warner Bros. 657)  Soundtrack LPs
LP0281. WHO’S AFRAID OF VIRGINIA WOOLF? 1966 Soundtrack, w. Elizabeth Taylor, Richard Burton, George Segal, Sandy Dennis. [The complete soundtrack, issued in monaural only.] (2-Warner Bros. 657, in gatefold jacket.


“WHO'S AFRAID OF VIRGINIA WOOLF? is a 1966 American black comedy-drama film directed by Mike Nichols. The screenplay by Ernest Lehman is an adaptation of the play of the same title by Edward Albee. The film stars Elizabeth Taylor as Martha and Richard Burton as George, with George Segal as Nick and Sandy Dennis as Honey.

The film was nominated for thirteen Academy Awards, including Best Picture and Best Director for Mike Nichols, and is one of only two films to be nominated in every eligible category at the Academy Awards (the other being CIMARRON). All of the film's four main actors were nominated in their respective acting categories. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being ‘culturally, historically, or aesthetically significant’.

Edward Albee's 1962 play was replete with dialogue that included multiple instances of "goddamn" and "son-of-a-bitch", along with "screw you", "up yours", "great nipples", and "hump the hostess". It opened on Broadway during the Cuban Missile Crisis, and audiences who had gone to the theater to forget the threat of nuclear war were instead assaulted by language and situations they had not seen before outside of experimental theater. The immediate reaction of the theater audiences, eventually voiced by critics, was that Albee had created a play that would be a great success on Broadway, but could never be filmed in anything like its current form. Neither the audience nor the critics understood how much the Hollywood landscape was changing in the 1960s, and that it could no longer live with any meaningful Production Code. In bringing the play to the screen, Ernest Lehman decided he would not change the dialogue that had shocked veteran theatergoers in New York only four years earlier. Despite serious opposition to this decision, Lehman prevailed.”

- Wikipedia