Shuffle Along (Eubie Blake)  /  Blackbirds of 1928   (10" RCA LPM-3154)
Item# LP0322
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Shuffle Along (Eubie Blake)  /  Blackbirds of 1928   (10" RCA LPM-3154)
LP0322. SHUFFLE ALONG (Eubie Blake), w.THE COMPOSER Cond. Avon Long, Thelma Carpenter, etc. / BLACKBIRDS OF 1928 McHugh & Fields), w. Cab Calloway & Thelma Carpenter. (10” LP) 10” early black label RCA LPM-3154. [Extraordinary to find such an eary 1953 vintage 10" LP as unplayed!]


“SHUFFLE ALONG, a musical comedy by composer Eubie Blake and lyricist Noble Sissle which featured an all-black cast, was the most significant achievement in black theatre of its time. SHUFFLE ALONG opened at the Howard Theatre in Washington, D.C., in late March, 1921 for two weeks. It was later performed at the Sixty-third Street Theatre in New York City, New York in May, 1921. Promoters and theatre managers were skeptical at first as to whether white audiences would accept a colored musical because no black show had been successful on Broadway in over 12 years. The musical mélange became an instant hit because of the energetic, vivacious, torso-twisting dancers that gave birth to the speed shows that were to characterize black productions thereafter. It also won the distinction of becoming an actor’s show during its more than its 200 performances. It proved that white audiences would pay to see black musical comedies on Broadway. Among the cast were Eubie Blake, Noble Sissle, Paul Floyd, Lottie Gee, Gertrude Saunders, Roger Matthews, Mattie Wilkes, Lawrence Deas, and Adelaide Hall.

Recording companies marketed all of the 18 song from the show including ’Love Will Find a Way’ and ‘I’m Just Wild about Harry’ (which became President Harry S. Truman’s campaign slogan in 1948). The landmark production renewed the public’s interest in black theatricals and marked a decided turning point in the history of black entertainment in the United States. It introduced to the Broadway stage a black chorus of partially garbed ‘girls’ in the style of the white ‘Follies’. Because of the show’s popularity, the entertainment profession witnessed the return of black musical comedies to Broadway on a regular basis.”


“BLACKBIRDS OF 1928 opened almost seven years later (May 9, 1928), the inspiration of a white creative team led by impresario Lew Leslie. Leslie hired two young songwriters (composer Jimmy McHugh and lyricist Dorothy Fields, fresh from their first success writing for the Cotton Club in Harlem) to create a revue to showcase an all-black cast. BLACKBIRDS OF 1928 ran for a remarkable 518 performances, making it for many years to come the longest-running all-black show in Broadway history. But Broadway musicals began a steady evolution in the late 1920s.

Sadly, these are the most complete single recordings of either score, though individual sides were recorded and released (out of context, as pop records) in the 1920s by original cast members. What these brief recordings captured before it was too late is something of the original style and exuberance that made these two shows part of the Broadway zeitgeist of the 1920s. SHUFFLE ALONG AND BLACKBIRDS OF 1928 themselves may be hopelessly dated theater, but the songs they introduced are timeless and unforgettable – representing nothing less than new voices and new sounds that would shape the destiny of that mainstay of modern American culture, the popular song.”

– David Foil, Masterworks Broadway