OP0806. LA FORZA DEL DESTINO, Live Performance, 23 Jan., 1943, w. Bruno Walter Cond. Met Opera Ensemble; Stella Roman, Frederick Jagel, Lawerence Tibbett, Ezio Pinza, etc. (Italy) 2-AS Disc 409/10, incl. Elaborate Libretto-Booklet. Very long out-of-print, Final Sealed Copy!
“Stella Roman, née Florica Vierica Alma Stela Blasu, was born in Cluj, Romania. She studied in Rome with Giuseppina Baldassare-Tedeschi and made her Italian début at Piacenza in 1932. After appearing successfully at the Rome Opera, she sang the rôle of the Empress in the La Scala première of DIE FRAU OHNE SCHATTEN in 1940. She made her Metropolitan début as Aïda in 1941. During the 1940s she alternated with Zinka Milanov in big Italian rôles. She appeared at San Francisco during the same period, where her rôles included Donna Anna, Mimi and the Marschallin, a rôle she repeated at the San Carlo in Naples in 1951.
According to one commentator, ‘An unorthodox and sometimes hectic technique prevented the singer and her warm, beautiful lirico-dramatic voice from achieving greatness, but she was a fascinating artist capable of effortless, high pianissimos and vibrant climaxes, as can be heard in off-the-air performances from the Metropolitan, notably her Amelia (UN BALLO IN MASCHERA) and Desdemona'.”
- Z. D. Akron
“Frederick Jagel began his education with William Brady and Vincenzo Portanova in New York and concluded with Corace Cataldi-Tassoni in Milan. He made his début in 1924 at the Teatro in Livorno under the name Federico Jeghelli as Rodolfo in LA BOHÈME. He guested at different Italian operatic stages and sang during a season at the Italian Opera in Holland. In 1927 he was engaged by the Metropolitan Opera in New York where he appeared longer than twenty years (under his own name Frederick Jagel). He made his début as Radames. At the Metropolitan Opera he was highly acclaimed especially as an interpreter of the Italian repertoire, however, he also sang Wagner roles (Lohengrin, Tannhäuser, Tristan) and in 1930 the role of Gritzko in the Met première of Mussorgsky’s THE FAIR AT SOROCHYNTSI. His special star role was Herod in SALOME. In 1948 he sang the title role in the Met première of PETER GRIMES. From 1930 he guested regularly at the San Francisco Opera, in 1928 and in the 1939-1941 seasons at the Teatro Colón in Buenos Aires. In 1943 he appeared at the Chicago Opera‘ as Lohengrin, in 1942 at the City Center Opera as Herod.”
- Ashot Arkelyan
“Lawrence Tibbett, to my taste the greatest operatic baritone America has ever produced. His enormous charm is complemented by fabulous diction - he's one of the very few ‘classical’ singers whose every word is clearly understandable.”
- Jeffrey Lipscomb