Das Rheingold  (Sawallisch;  George London, Kelemen, Wolhfahrt, Nienstedt, Schartel, Kjellgren)  (2-Archipel 0554)
Item# OP2687
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Das Rheingold  (Sawallisch;  George London, Kelemen, Wolhfahrt, Nienstedt, Schartel, Kjellgren)  (2-Archipel 0554)
OP2687. DAS RHEINGOLD, Live Performance, 22 May, 1962, Köln, w.Sawallisch Cond. Gürzenich Orch. Ensemble; George London, Zoltán Kelemen, Erwin Wolhfahrt, Gerd Nienstedt, Elisabeth Schärtel, Ingeborg Kjellgren, etc. (E.U.) 2-Archipel 0554. Long out-of-print, Final Sealed Copy! - 4035122405545


“Wolfgang Sawallisch, one of the last of the old-school German conductors, who led the Philadelphia Orchestra for nearly a decade and the Bavarian State Opera in Munich for two decades before that, embodied the German type of the ‘Kapellmeister’ in the best sense: a man steeped in music, who knew every note of every score he conducted (often from memory), who was a supportive accompanist as well as an informed interpreter and who understood how to train, develop and lead an orchestra. Never flashy, even somewhat understated, he was, at his best, insightful and illuminating.

While Mr. Sawallisch was renowned throughout Europe, he might have remained little known to American audiences had the Philadelphia Orchestra not tapped him to take over as music director in 1993. When he arrived at age 70, he underwent a veritable renaissance, evidently enjoying a new freedom, both artistic and political — far from the political squabbling that had increasingly overshadowed his last years in Munich. ‘The last 10 years, with the Philadelphia Orchestra’, he said in 2006, ‘were really the top years of my symphonic life’. His time in Philadelphia was therefore a particularly happy ending to his career. Against some expectations, the reserved, intensely private German thrived in America, and the orchestra responded warmly to him.”

- Anne Midgette, THE NEW YORK TIMES, 24 Feb., 2013

“In the many performances I have appeared in, there were many wonderful colleagues who had me in raptures. There were those with magnificent voices, or great musicians, wonderful actors or great personalities. But George London had it ALL. He was as impressive on stage as he was the wonderful colleague and friend in his private life.”

- Birgit Nilsson, as quoted in Leonardo A. Ciampa’s THE TWILIGHT OF BELCANTO, p.130

“George London was a dramatic and very expressive singer. In many roles he sang like a demonic panther with a sound of purple-black in color. London was a singer favoring the drama in a piece, varying color to suggest shifts of mood. His acting on stage was described as overwhelming. The special magnetism of this artist is documented on his great recordings. Every role he sang was sung with utmost expression and unbelievable commitment, truly a singing-actor!”

- Andrea Shum-Binder, subito-cantabile