OP3175. FRA DIAVOLO (in Russian), Live Performance, 29 March, 1955, w.Khaikin Cond. Bolshoi Opera Ensemble; Sergei Lemeshev, Nina Guselnikova, Pavel Volovov, Elena Gribova, Andrei Sokolov, etc. (Russia) 2-Aquarius AQVR 396. [Most appealing to hear Lemeshev & Guselnikova in this delightful French opera. The sound quality is vibrant, always conveying the sense of 'occasion', obviously recorded from the prompter's box.] - 4607123631744
“…the admirable Sergei Lemeshev…is in fresh voice and manages the coloratura successfully….One does not associate Lemeshev with music that contains roulades and divisions, but his is an enjoyable performance and will not disappoint his fans….Nina Guselnikova…is very nimble in the runs in her music….Elena Gribova’s mezzo is also agile, unbothered by the high notes….The experienced Boris Khaikin draws from the Bolshoi Orchestra the light touches needed in Auber’s sparkling music….In this live presentation, [Lemeshev’s] entrance is welcomed by long applause from the audience.”
- JTH, THE RECORD COLLECTOR, 2016
“In Russia, Sergei Yakovlevich Lemeshev (1902-1977) is — along with Feodor Chaliapin — perhaps the most beloved opera singer in recent history. He was born into a very poor peasant family, in a small village, during the years of the Bolshevik revolution and the Civil war, and Lemeshev was required to become a cadet in the Red Army Cavalry School. It was, however, actually the Revolution that helped him make his dream of an operatic career come true, since the Bolsheviks gave the poorest peasants and proletarians a preferential right to free education. Sergei was assigned to study at the Moscow Conservatory where, after surviving a rigorous competition, he was accepted. (This determined his political views, for as he said many times, ‘the Soviets gave me everything’.) In 1931, he became a leading tenor of the Bolshoi, where he sang for the next 34 years, winning great acclaim. His audience grew, along with his fame, and he soon gained a veritable army of fans, called ‘lemeshevists’. His vocal and artistic qualities, evident to every listener, are beauty of timbre, musicality, effortlessness of vocal production, expressiveness, and very clear diction - qualities perhaps most commonly found in bel canto singers. An interesting comment on Lemeshev’s singing was made by the Bolshoi tenor Anatoly Orfenov: ‘He developed a mixed voice of incomparable beauty, which made it possible for him to take the highest notes with such beautiful richness that even specialists could not explain how it was done technically….His high C’s … sounded virile and full…His manner of lowering his larynx a bit on high notes allowed him to perform the parts which we ordinary lyric tenors did not sing’.”
- Natalie, "younglemeshevist"
“Boris Emmanuilovich Khaikin was a Russian Jewish conductor who was named a People's Artist of the USSR in 1972. Khaykin was born in Minsk, then part of the Russian Empire. He studied at the Moscow Conservatory under Nikolai Malko and Konstantin Saradzhev. He was artistic director of the Little Leningrad Opera Theatre in 1936-43 and the principal conductor at the Kirov Theatre in 1944-53, where he conducted the premičre of Sergei Prokofiev's BETROTHAL IN A MONASTERY on 3 November 1946. He moved to the Bolshoi Theatre in 1954.”
- Z. D. Akron