Iphigenie en Tauride (Gluck) (Kubelik;  Sena Jurinac, Fritz Wunderlich, Hermann Prey, Kieth Engen)  (2-Myto 945.44)
Item# OP3397
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Product Description

Iphigenie en Tauride (Gluck) (Kubelik;  Sena Jurinac, Fritz Wunderlich, Hermann Prey, Kieth Engen)  (2-Myto 945.44)
OP2297. IPHIGENIE EN TAURIDE (Gluck) (in German), Live Performance, 1965, w.Kubelik Cond. Byerischen Rundfunks Ensemble, Munich; Sena Jurinac, Fritz Wunderlich, Hermann Prey, Kieth Engen, etc.; FRITZ WUNDERLICH: Schumann & Schubert Lieder, Live Performance, 19 Aug., 1965, Salzburg. (Italy) 2-Myto 945.44, w.Libretto-Brochure. Very long out-of-print, Final Sealed Copy!

CRITIC REVIEWS:

“The Jurinac voice was capable of a gleaming fortissimo, but it also commanded a wide range of shadings of colour and dynamic. The top notes could be floated with an ethereal purity; the middle and lower registers had a very human warmth….The present release is particularly valuable in presenting her as a Lieder singer….Like such great Lieder singers as Rehkemper, Erb, Janssen, Lehmann or Schumann, Jurinac gives us unforgettable musical phrases….We owe her a great deal – and history has already judged her to be one of the immortal sopranos of the twentieth century.”

- Tully Potter



“Fritz Wunderlich was discovered for the opera stage at a student production of ZAUBERFLÖTE. At the age of 25 he was engaged at the Württemberg Staatstheater in Stuttgart, one of the most renowned opera houses in Germany at the time. Erich Schäfer was its General Manager, Ferdinand Leitner its conductor, and Wieland Wagner and Günther Rennert created very interesting productions. Wunderlich never broke off relations with Stuttgart completely, not even when he was engaged by the Munich Opera in 1958. Here he was influenced by Rudolf Hartmann, Günther Rennert and Josef Keilberth. In 1959 he made his début at the Salzburg Festival (Henry Morosus in Strauss’ DIE SCHWEIGSAME FRAU). He soon became the leading lyrical tenor and he was particularly admired in the Mozart repertoire. He also sang Alfredo, Lenski, Palestrina, and the Steersman in DER FLIEGENDE HÖLLANDER. He loved to sing Egk, Liebermann and Orff and was an eminent operetta singer. He sang operettas on stage only at the outset of his career in Freiburg and Stuttgart. He regularly appeared in oratorios and has been unsurpassed as Evangelist. With his fatherly friend Hubert Giesen he worked on Lieder and he soon was very much in demand as a recitalist. His career was one of the most successful after World War II. He died tragically of an accident, a few days before his 36th birthday. It is pointless to speculate what direction he would have taken if he had been granted a longer career. With the natural power of his voice he would have been able to move into heroic regions.”

- Andrea Shum-Binder, subito-cantabile



“Fritz Wunderlich spent five years in Stuttgart before he became a world figure.....The voice is young and fresh. There has hardly ever been a more beautiful tenor voice, and his career lasted only ten years because he died young.”

- Donald R. Vroon, AMERICAN RECORD GUIDE, July/Aug., 2004