YSL Operas offer Licia Albanese's 1957 TOSCA, with Barioni, Warren & Mitropoulos; Monteux's 1954 PELLEAS with Uppman, Conner & Singher; Ansermet's only Met Opera performances, the 1962 PELLEAS with Gedda, Moffo & London; the 1963 Manon with Moffo & Gedda; the 1946 SAMSON ET DALILA of Bouvier & Luccioni, the legendary 1953 Vienna FRAU OHNE SCHATTEN with Steber & Svanholm, the Met's broadcast features SINGERS' ROUNDTABLE, the non-broadcast 1965 TOSCA with Callas, Corelli & Gobbi, the only performance of ANDREA CHENIER ever sung by Corelli & Milanov (Met Opera, 1962, non-broadcast), the Met's 1958 World Premiere of Barber's VANESSA with Mitropoulos, Steber & Gedda, the Met's 1949 FALSTAFF with Fritz Reiner Cond. Leonard Warren and the celebrated cast, the Met's 1961 DON CARLOS with Franco Corelli (shortly after his sensational debut), Curtis-Verna & Sereni, the Met's 1964 CAV / PAG, with Farrell, Tucker, Corelli & Amara, the Met's 1987 TROVATORE (Sutherland's Farewell), the Met's 1976 ESCLARMONDE, with Sutherland & Aragall, the Met's 1969 ADRIANA LECOUVREUR, with Tebaldi & Corelli, the Met's 1970 NORMA, with Sutherland, Horne, Bergonzi & Siepi, the Met's 1963 SONNAMBULA, with Sutherland, Gedda & Flagello, the Met's 1973 FILLE DU REGIMENT, with Sutherland, Pavarotti, Resnik & Corena, the 1964 LUCIA DI LAMMERMOOR with Sutherland, Konya & Herlea, the 1959 MACBETH with Warren, Rysanek & Bergonzi, the 1976 PURITANI with Sutherland, Pavarotti, Milnes & Morris, the 1957 LA TRAVIATA with Renata Tebaldi, Giuseppe Campora & Leonard Warren, the 1977 LE PROPHÈTE with Marilyn Horne, Renata Scotto, James McCracken & Jerome Hines, Leonard Warren's final RIGOLETTO at the Metropolitan Opera House in 1959, Eleanor Steber's 1952 OTELLO, 1955 ARABELLA, 1955 DON CARLOS, 1959 TOSCA with Bergonzi & London, 1956 DIE FLEDERMAUS, LA FANCIULLA DEL WEST (Steber’s Met Opera 1966 'farewell'); the legendary Zinka Milanov 1953 LA GIOCONDA with Baum, Barbieri, Warren, Siepi & Madeira, the 1954 IL TROVATORE, also with Milanov, Baum, Nikolaidi, Warren & Moscona, the sensuous 1975 Met CARMEN with Régine Crespin, José van Dam, William Lewis & Katia Riccarelli, the exquisitely beautiful 1987 SAMSON ET DALILA from the Met, with Jean Fournet conducting Jon Vickers & Marilyn Horne; Jon Vickers' SAMSON (Handel), Met Opera 1986; the unknown and sensational 1977 ELEKTRA w. Christopher Keene Cond. Syracuse S.O.; Tennstedt's only Met Opera excursion, the 1984 FIDELIO with Jon Vickers; Jon Vickers' inimitable PETER GRIMES, Met Opera, 1969, under Colin Davis; the legendary 1951 Met MANON with Albanese, Di Stefano & Singher; the 'forgotten' Fournet WERTHER from the Met; Neil Wilson's final Met performance - LA BOHEME; the 1953 Met Opera CARMEN with Barbieri & Del Monaco, under Reiner; Regine Crespin's 1964 Met Opera LOHENGRIN with Konya & Rankin plus her 1965 Met Opera TOSCA with Konya & Merrill, plus her 1968 TOSCA with Raimondi & Bacquier; Renata Scotto's 1977 Met Opera LE PROPHETE with Horne, McCracken & Hines & Scotto's LA BOHEME with Barry Morell, Ingvar Wixell & Leona Mitchell; Scotto's legendary 1977 Met Opera MADAMA BUTTERFLY with Giacomo Aragall (under Patane); the 1982 Met Opera I VESPRI SICILIANI with Scotto, Elvira, Ochman and Raimondi; the 1952 Met Opera LA FORZA DEL DESTINO with Milanov, Tucker & Warren; the 1956 Met Opera ERNANI with Milanov, Del Monaco & Warren, conducted by Mitropoulos; the 1961 Met Opera TROVATORE with Franco Corelli & Leontyne Price, plus their 1968 Met Opera LA FORZA DEL DESTINO - both in top form; Giuseppe Taddei's 1986 Met Opera sensation as FALSTAFF, plus Taddei's next Met Opera appearance of 1988 in L'ELISIR D'AMORE with Dawn Upshaw and Vinson Cole; Martina Arroyo's 1970 AIDA at the Met; Rosa Ponselle & Sydney Rayner in the 1937 Met Opera CARMEN; LA TRAVIATA - (Zeani’s 1966 Met Opera début); OTELLO (the 1965 Met Opera farewell of Zinka Milanov, with Uzunov and MacNeil); the 1963 Met Opera ANDREA CHÉNIER with Zinka Milanov, Richard Tucker & Anselmo Colzani; the 1960 Met Opera SIMON BOCCANEGRA with Mitropoulos, Guarrera & Milanov; the 1965 Met Opera SIMON BOCCANEGRA with MacNeil & Milanov; the sublime Haitink-conducted 2003 Boston PELLÉAS ET MÉLISANDE of Keenlyside, Hunt Lieberson & Finley; the 1965 Tanglewood LOHENGRIN with Konya, Amara, Gorr, Dooley & Hines; the 1958 Carnegie Hall ARIADNE AUF NAXOS with Eileen Farrell & Mattiwilda Dobbs; PELLÉAS ET MÉLISANDE (the legendary 1941 performance conducted by Désormière, as well as the Live Performance, 24 Nov., 1955, w.Inghelbrecht Cond. Françoise Ogéas, Jean-Paul Jeannotte, Gérard Souzay, etc.); DIE WALKÜRE – Act One (the unforgettable 1935 recording from Vienna with Bruno Walter conducting Lotte Lehmann & Lauritz Melchior – the clearest and brightest incarnation of this fabulous performance you’ll ever hear!); Tony Poncet in LES HUGUENOTS (from Carnegie Hall), plus his LA JUIVE, CARMEN, L’AFRICAINE & RIGOLETTO; Quesnel's COLAS ET COLINETTE with Alarie & Simoneau, the Boulez 1976 Bayreuth RING (never before released, a superior performance than that issued on video); Marvin David Levy's MOURNING BECOMES ELECTRA, the 1966 World Premiere Met Opera cast; Excerpts from Monteverdi's L'INCORONAZIONE DI POPPEA, w.Maderna Cond. La Scala Ensemble, with Bumbry, di Stefano & Gencer, and more operas appearing regularly!