Germaine Thyssens-Valentin;  Beaudry, Debost,  Mollet, Loewenguth Quartet   (St Laurent Studio YSL T-898)
Item# P1322
$19.90
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Product Description

Germaine Thyssens-Valentin;  Beaudry, Debost,  Mollet, Loewenguth Quartet   (St Laurent Studio YSL T-898)
P1322. GERMAINE THYSSENS-VALENTIN, w.Jacques Beaudry Cond. RTF S.O.: Ballade in F-sharp - Broadcast Performance, 2 March, 1962; w.Michel Debost (Flute): Fantasie for Flute & Piano; w.Pierre Mollet (Bar.): La bonne chanson; w.Loewenguth Quartet: Piano Quintet in c - Broadcast Performance, 1961, Paris (all Fauré). (Canada) St Laurent Studio YSL T-898. Transfers by Yves St Laurent.

CRITIC REVIEWS:

“I now have not the slightest doubt that Germaine Thyssens-Valentin was a great and inspired pianist; I've heard Fauré playing that approaches, or even occasionally equals hers, but none that surpasses it. Fauré's music has a confiding quality to it, as though it were a message intended for an audience of one, and Thyssens-Valentin is in perfect accord with this. Those messages…are often of great profundity, and she has both the heart and the technique to convey them. I have not often been so struck by Fauré's extraordinary courage in distilling emotions far too deep for words from the silent isolation of his old age. Why is Thyssens-Valentin not better known? I suppose that being a superlative interpreter of Fauré was not a reliable passport to international fame in the middle years of the 20th century.”

- Michael Oliver, GRAMOPHONE, Aug., 2002





["Thyssens-Valentin's] playing of Fauré is distinctive, fluid, understated and of a rare tonal and poetic delicacy and finesse … No other pianist, in my experience, has shown a comparable inwardness or capacity to penetrate to the very quick or essence of one of music's most misunderstood geniuses."

- Bryce Morrison, GRAMOPHONE Awards Issue 2002





"Thyssens-Valentin's direct, graceful, unpretentious performances can seem soothingly maternal and imperturbable, infused with a seemingly lost sense of inner poise and tranquility."

- Benjamin Ivry, CLASSIC RECORD COLLECTOR, Spring, 2007



“The Loewenguth Quartet of Paris was founded in 1929 by the legendary French violinist Alfred Loewenguth (1911 ­ 1983). The quartet, already known and respected internationally in the 1930s, made their first North American tour in 1945 and remained active for four decades, playing in major venues around the world. Following their November 1948 New York concert, Virgil Thomson wrote in THE NEW YORK HERALD-TRIBUNE: ‘The Loewenguth Quartet comes as near perfection in classical style as any group I have heard’ and after their first New York concert of the 1949/50 season Olin Downes wrote in THE NEW YORK TIMES: ‘It was a passionate, wonderfully colored and perfect performance of the highest order’. In the late 1930s and 1940s HMV recorded the Loewenguth Quartet in works of Mozart and Beethoven. From 1949 and during the 1950s the quartet recorded several albums with Deutsche Grammophone/Archive and was awarded the prestigious Grand Prix du Disque. The Quartet enjoyed a long association with the Vox label and also made recordings for Philips, Westminster, Les Discophiles Français, Club National du Disque and a few smaller French and American labels.

The Loewenguth String Quartet was founded by violinist Alfred Loewenguth (1911-1983) when he was 18 (1929) and lasted into the 1970s. Their [works] are a reminder of how music breathes as long as each work, that was always new music, is offered as an original, organic form, a creation that emerges alive and in need to be kept fit rather than reduced into the standardized faux politeness that reigns as living room status-quo standards.”

- Allan Evans, Arbiter Records



"Pierre Mollet was born in Switzerland, 23 Mar 1920, then became a naturalized Canadian in 1974. While directing amateur choirs he studied voice at the Lausanne Conservatoire with Charles Panzéra and obtained a second prize at the 1946 Geneva International Competition for Musical Performers. He moved to Paris in 1947, taking courses in interpretation with Nadia Boulanger, with whom he participated in many concerts. Between 1948 and 1962 he made extensive tours in France and North Africa for the JM in addition to being soloist with Parisian orchestras. He took part in several festivals, including those of Strasbourg and Aix-en-Provence, and made his debut in 1952 at the Opéra-Comique in the role of PELLÉAS. He recorded the role the same year for Decca-London under the direction of Ernest Ansermet and later sang the role almost 100 times in major cities of Europe and South America.

Mollet came to Canada in 1967 as a jury member at the JMC (YMC) national competition and as soloist with the Orchestre de la Suisse romande at the World Festival of Expo 67. He settled in Montréal, teaching 1968-78 at the CMM. He also taught at the JMC Orford Art Centre in 1967, 1968, and 1974, gave many recitals in Québec devoted to the Lied and to French art song, and performed on the CBC. In 1980 he founded the Ensemble vocal Arioso, which specializes in repertoire for the male voice with or without accompaniment. In 1985, with the Orchestre Métropolitain under the direction of Bernard Jean, Mollet premiered 'Hiver dans l'âme' dedicated to him by its composer André Prévost. The next year he gave its European premiere with the Lausanne Chamber Orchestra at the Nyon Festival in Switzerland. In 1990, Mollet was pursuing his career as a recitalist in Quebec and Europe."

- Gilles Potvin, HISTORICA CANADA