S0196. FRITZ KREISLER, w.Franz Rupp (Pf.): Kreisler plays Kreisler, Original Compositions and Transcriptions. (E. U.) Naxos 8.110992, recorded 1936 & 1938. Transfers by Mark Obert-Thorn. Very long out-of-print, Final Copy! - 636943199220
"This programme is one that every Kreislerian will know and love but I hope younger listeners gravitate toward it and savour his inimitable way with these originals and transcriptions. In conclusion I can recommend the restorative work here; I think the higher ration of surface noise is a price worth paying for the advantages of an open sound, and Obert-Thorn’s pitching decisions seem to me to have been carried out with diligence and authority. ”
- Jonathan Woolf, MusicWebInternational, Sept., 2005
"Violinist Fritz Kreisler was one of the most beloved and best known of early recording era musicians. His burnished tone and patrician phrasing were quintessentially Viennese, and the warmth of his playing won him devoted followers wherever he appeared. So great was his fame and the affection in which he was held that he survived a blaze of controversy when he revealed in 1935 that many of the short pieces he had performed as transcriptions of such composers as Couperin, Vivaldi, and Pugnani were, in fact, his own work. While the critics fumed, the public expressed little concern and continued to pack his concert appearances.
Kreisler was the son of a famous surgeon, a good amateur musician who gave young Fritz his first violin lessons. Kreisler made his public debut at seven in a collection of short works. Shortly thereafter, he was permitted to enter the Vienna Conservatory despite a policy that no one younger than 14 be accepted. After three years of study with Joseph Hellmesberger, he was awarded a gold medal.
Kreisler was sent to Paris for further studies with Delibes and Massart. At the age of 12, he won the Premier Grand Prix de Rome gold medal competing against 40 other players, all of whom were at least 20 years of age.
In 1888, Kreisler sailed to the United States for a concert tour with pianist Moriz Rosenthal, earning many complimentary reviews. When he returned to Vienna, he applied to the Vienna Philharmonic for a position but was turned down. Feeling discouraged, he resolved to abandon music and chose to pursue a career in medicine. After several years, he rejected that course and began the study of painting. First in Paris, then in Rome, he worked toward mastering his technique, but soon this, too, became tiresome. He returned to Vienna and enlisted in the army.
A full year as a soldier was sufficient to cause yet more rethinking and Kreisler resigned his commission and returned to the study of violin. He spent eight weeks in country solitude readying himself for his return to the concert stage. His "second debut" in Berlin was successful, but widespread acclaim came during several American tours between 1901 and 1903. In the United States, he was hailed as one of the foremost violinists of his time and, soon after, Europe followed suit in recognizing his extraordinary artistry.
While vacationing in Switzerland in 1914, Kreisler received the news that Austria was at war. Returning to his native country, he rejoined his former division, now stationed in Galicia. An attack by the Russians resulted in an injury and his discharge with high honors. Wishing to help his country, Kreisler embarked on a lengthy concert tour of America. The United States' entry into the war, however, put him in the awkward position of being an ex-Austrian officer aiding what was now an enemy nation. Negative reaction obliged him to withdraw from concertizing and retire to Maine to pass the remaining period of hostilities.
At his return to the New York concert stage in 1919, however, he was given a tumultuous reception. He took up residence in Berlin for ten years beginning in 1924. With the Anschluss in 1938, he moved to France, but returned to the United States before the Nazi invasion and lived his remaining years in America, where he gave his final public concert in 1947. He continued to perform on broadcasts until 1950."
- Erik Eriksson, allmusic.com