V0146. MARTHA MÖDL: Arias from Don Carlos, Macbeth, Carmen, Tristan & Götterdämmerung. (Austria) Preiser 90136, recorded 1951-62. Long out-of-print, Final Copy! - 717281901369
“The incredibly lengthy career of Martha Mödl has been well documented. In that time she sang it all beginning as a mezzo (Hänsel, Eboli, Carmen, Azucena), then soprano (Isolde, Brünnhilde, Kundry), then in the 1960s returning to mezzo and some great character roles (Klytemnestra, Die Amme, Waltraute). In the 1970s she adapted to secondary character roles (Widow Begbick, Grandmother Burya, the Old Countess in QUEEN OF SPADES), some of which were rechristened ‘Mödl-Rollen’ in her honor. She was often called the ‘German Maria Callas’ with her dramatic intensity, excitement, unique, colorful mezzo-tinted soprano voice.
She was one of the singers very important to the re-establishment of the Wagner Festival in Bayreuth in the 1950s. She appeared in several world premières, creating roles in operas by Fortner, Cerha, and von Einem. There is a little-known video of an interview with Mödl, Astrid Varnay, and Birgit Nilsson - great Wagnerians all. Varnay and Nilsson defer to Mödl!”
- Charles H. Parsons, AMERICAN RECORD GUIDE, July/Aug., 2012